![Für diesen Artikel ist leider kein Bild verfügbar.](/img/platzhalter480px.png)
Heartless (eBook)
112 Seiten
Knopf Doubleday Publishing Group (Verlag)
978-0-345-80682-6 (ISBN)
When Roscoe, a 65-year-old Cervantes scholar, runs off with a young woman named Sally, he decides to stay a while in her family home. Soon he discovers that Sally's house--once inhabited by James Dean, perched precariously over the San Fernando valley--is filled with secrets, sadness, and haunted women who cannot leave themselves or anyone else in peace. From Lucy, Sally's suspicious sister, to Mable, their Shakespeare-quoting invalid mother, to Elizabeth, Mable's lovely and mysteriously mute nurse, the forces of the house conspire to make Roscoe question his assumptions about everything. As scars and histories are revealed, Shepard shows, as only he can, what happens when the secrets simmering within a family boil over. Heartless masterfully explores the irrevocability of our pasts--and the possibility of life begun anew.
When Roscoe, a 65-year-old Cervantes scholar, runs off with a young woman named Sally, he decides to stay a while in her family home. Soon he discovers that Sally’s house—once inhabited by James Dean; perched precariously over the San Fernando valley—is filled with secrets, sadness, and haunted women who cannot leave themselves or anyone else in peace. From Lucy, Sally’s suspicious sister, to Mable, their Shakespeare-quoting invalid mother, to Elizabeth, Mable’s lovely and mysteriously mute nurse, the forces of the house conspire to make Roscoe question his assumptions about everything. As scars and histories are revealed, Shepard shows, as only he can, what happens when the secrets simmering within a family boil over. Heartless masterfully explores the irrevocability of our pasts—and the possibility of life begun anew.
All stage directions are from the actor's POV toward audience. Simple set--black surround--bare-stage feel except for some stark furniture: single bed mid-stage left, placed horizontal, foot of bed facing stage left. Another single bed mid-stage right, placed vertically to audience, head of bed facing upstage. Between the beds, downstage center, is a round glass- topped table with two white metal patio chairs placed opposite each other, on either side of the table, left and right. The sense of the set is that it's essentially an outdoor patio with the two beds receding into nebulous interior territory. The whole visual arrangement is framed by tall palm trees. Extreme downstage left, looming out into the audience like a ship's prow, is a raised 'lookout point' that drops off clifflike into a black void. The upstage area sweeps slightly uphill, then drops off radically into another black void. The extreme upstage edge is raised high enough so that actors can leap off it and disappear into some sort of unseen netting or, conversely, make sudden appearances into the playing area.
As lights go to black, a woman's (mable's) piercing voice is heard screaming someone's name.
mable's voice: (Screaming, offstage right.) ELIZABETH!!!
(Lights snap up bright. Two figures appear. roscoe, a man, mid-sixties, sits up fast in the stage right bed, facing the audience. At the same time, in stage left bed, sally, a woman in her early thirties, rolls over so her back is to audience, wrapping herself tightly in a sheet, mummy style. Pause. roscoe gets out of his bed quickly and stands, facing sally's bed. He wears green boxer shorts, a plain white T-shirt, and white socks.)
roscoe: (Disoriented.) Sally?
(roscoe moves slightly toward her bed, then stops.)
sally: (Keeping her back to audience.) I'm sleeping.
roscoe: Did you scream?
sally: No.
roscoe: I thought I heard a scream.
sally: Go walk your dog.
(roscoe turns, moves toward stage right--stops--turns back toward sally, confused.)
roscoe: When I woke up I couldn't figure out where the windows were. I thought I was still in some motel somewhere--
sally: (Without turning.) You were mistaken.
(roscoe turns again and exits stage right. sally immediately rolls toward audience on roscoe's exit. She sits up in her bed, naked from waist up. A long surgical scar snakes down from between her collarbones to her navel--bright pink and very prominent. She looks around the space and toward stage right, then stands, wearing white underwear, grabs a gray linen blouse, throws it on, buttons it partially while crossing downstage to stage left chair at table. She sits in chair, facing audience directly, pulls her legs up, wrapping her arms around her shins, and stares out across audience, as though seeing something in distance. Pause. Then the voice of roscoe offstage right, speaking to his dog in high-pitched falsetto. No sounds of dog whatever. sally just listens--looks out over audience.)
roscoe's voice: (To dog--off right.) Shall we take a walk? What do you think? A little walk? Piss and poop? Tinkle, tinkle. Yes? Shall we go? Oh--happy dog! Happy, happy, happy dog! Here we go! Poop and piss! Jumping, jumping! Happy, happy, happy, happy dog! Let's go--here we go! Yes--happy, happy, happy, happy--
(roscoe's voice fades away off right. Pause. sally just sits and stares out in the same posture. She speaks calmly to some invisible partner in same direction as audience.)
sally: You should've told me it was going to be like this. You could've warned me. 'Course, how would you know? You were the same as me. Right? Young. Babies, really. What were we...
Erscheint lt. Verlag | 8.10.2013 |
---|---|
Sprache | englisch |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
Literatur ► Romane / Erzählungen | |
ISBN-10 | 0-345-80682-4 / 0345806824 |
ISBN-13 | 978-0-345-80682-6 / 9780345806826 |
Haben Sie eine Frage zum Produkt? |
![EPUB](/img/icon_epub_big.jpg)
Kopierschutz: Adobe-DRM
Adobe-DRM ist ein Kopierschutz, der das eBook vor Mißbrauch schützen soll. Dabei wird das eBook bereits beim Download auf Ihre persönliche Adobe-ID autorisiert. Lesen können Sie das eBook dann nur auf den Geräten, welche ebenfalls auf Ihre Adobe-ID registriert sind.
Details zum Adobe-DRM
Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belletristik und Sachbüchern. Der Fließtext wird dynamisch an die Display- und Schriftgröße angepasst. Auch für mobile Lesegeräte ist EPUB daher gut geeignet.
Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen eine
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen eine
Geräteliste und zusätzliche Hinweise
Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.
aus dem Bereich