Expanded Cinema - Gene Youngblood

Expanded Cinema

Fiftieth Anniversary Edition

(Autor)

Buch | Softcover
464 Seiten
2020
Fordham University Press (Verlag)
978-0-8232-8741-3 (ISBN)
37,40 inkl. MwSt
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category.

First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world.

A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective.

Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.

Gene Youngblood (Author) Gene Youngblood is a well-known theorist of electronic media arts and a respected scholar in the history and theory of experimental film and video art. He has split his career between teaching and journalism and is also widely known as a pioneering voice in the Media Democracy movement. R. Buckminster Fuller (Introducer) R. Buckminster Fuller was an architect, designer, inventor, social theorist, and the author of more than thirty books, including the legendary Operating Manual for Spaceship Earth.

List of Illustrations | ix

Introduction to the Fiftieth Anniversary Edition | xiii

Introduction by R. Buckminster Fuller | 15

Inexorable Evolution and Human Ecology by R. Buckminster Fuller | 37

Preface | 41

Part One: The Audience and the Myth of Entertainment | 45

Radical Evolution and Future Shock in the Paleocybernetic Era | 50

The Intermedia Network as Nature | 54

Popular Culture and the Noosphere | 57

Art, Entertainment, Entropy | 59

Retrospective Man and the Human Condition | 66

The Artist as Design Scientist | 70

Part Two: Synaesthetic Cinema: The End of Drama | 75

Global Closed Circuit: The Earth as Software | 78

Synaesthetic Synthesis: Simultaneous Perception of Harmonic Opposites | 81

Syncretism and Metamorphosis: Montage as Collage | 84

Evocation and Exposition: Toward Oceanic Consciousness | 92

Synaesthetics as Kinaesthetics: The Way of All Experience | 97

Mythipoeiai: The End of Fiction | 106

Synaesthetics and Synergy | 109

Synaesthetic Cinema and Polymorphous Eroticism | 112

Synaesthetic Cinema and Extra-Objective Reality | 122

Image-Exchange and the Post-Mass Audience Age | 128

Part Three: Toward Cosmic Consciousness | 135

2001: The New Nostalgia | 139

The Stargate Corridor | 151

The Cosmic Cinema of Jordan Belson | 157

Part Four: Cybernetic Cinema and Computer Films | 179

The Technosphere: Man/Machine Symbiosis | 180

The Human Bio-Computer and His Electronic Brainchild | 183

Hardware and Software | 185

The Aesthetic Machine | 189

Cybernetic Cinema | 194

Computer Films | 207

Part Five: Television as a Creative Medium | 257

The Videosphere | 260

Cathode-Ray Tube Videotronics | 265

Synaesthetic Videotapes | 281

Videographic Cinema | 317

Closed-Circuit Television and Teledynamic Environments | 337

Part Six: Intermedia | 345

The Artist as Ecologist | 346

World Expositions and Nonordinary Reality | 352

Cerebrum: Intermedia and the Human Sensorium | 359

Intermedia Theatre | 365

Multiple-Projection Environments | 387

Part Seven: Holographic Cinema: A New World | 399

Wave-Front Reconstruction: Lensless Photography | 400

Dr. Alex Jacobson: Holography in Motion | 404

Limitations of Holographic Cinema | 407

Projecting Holographic Movies | 411

The Kinoform: Computer-Generated Holographic Movies | 414

Technoanarchy: The Open Empire | 415

Selected Bibliography | 421

Index | 427

Erscheinungsdatum
Reihe/Serie Meaning Systems
Einführung R. Buckminster Fuller
Zusatzinfo 60 color illustrations and 284 b/w illustrations.
Verlagsort New York
Sprache englisch
Maße 140 x 210 mm
Themenwelt Kunst / Musik / Theater Film / TV
Mathematik / Informatik Informatik Theorie / Studium
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 0-8232-8741-6 / 0823287416
ISBN-13 978-0-8232-8741-3 / 9780823287413
Zustand Neuware
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