Twelfth Night (The Unabridged Play) + The Classic Biography -  William Shakespeare,  Sidney Lee

Twelfth Night (The Unabridged Play) + The Classic Biography (eBook)

The Life of William Shakespeare (Twelfth Night Or, What You Will)
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2014 | 1. Auflage
960 Seiten
e-artnow (Verlag)
978-4-06-644462-6 (ISBN)
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This carefully crafted ebook: 'Twelfth Night (The Unabridged Play) + The Classic Biography: The Life of William Shakespeare' is formatted for your eReader with a functional and detailed table of contents. This play is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. Like many of Shakespeare's comedies, this one centers on mistaken identity. The leading character, Viola, is shipwrecked on the shores of Illyria during the opening scenes. She loses contact with her twin brother, Sebastian, whom she believes dead. Posing as a man and masquerading as a young page under the name Cesario, she enters the service of Duke Orsino. Orsino is in love with the bereaved Lady Olivia, whose brother has recently died and decides to use 'Cesario' as an intermediary. Olivia, believing Viola to be a man, falls in love with this handsome and eloquent messenger. Viola, in turn, has fallen in love with the Duke, who also believes Viola is a man and who regards her as his confidant. Life of William Shakespeare is a biography of William Shakespeare by the eminent critic Sidney Lee. This book was one of the first major biographies of the Bard of Avon. It was published in 1898, based on the article contributed to the Dictionary of National Biography. William Shakespeare (1564 - 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the 'Bard of Avon'. His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. Sir Sidney Lee (1859 - 1926) was an English biographer and critic. He was a lifelong scholar and enthusiast of Shakespeare.

ACT V.


SCENE I.


Before OLIVIA’s house.


[Enter CLOWN and FABIAN.]


FABIAN.
Now, as thou lov’st me, let me see his letter.
CLOWN.
Good Master Fabian, grant me another request.
FABIAN.
Any thing.
CLOWN.
Do not desire to see this letter.
FABIAN.
This is, to give a dog, and in recompense desire my dog again.
[Enter DUKE, VIOLA, CURIO, and LORDS.]


DUKE.
Belong you to the Lady Olivia, friends?
CLOWN.
Ay, sir; we are some of her trappings.
DUKE.
I know thee well; how dost thou, my good fellow?
CLOWN.
Truly, sir, the better for my foes and the worse for my friends.
DUKE.
Just the contrary; the better for thy friends.
CLOWN.
No, sir, the worse.
DUKE.
How can that be?
CLOWN. Marry, sir, they praise me and make an ass of me. Now my foes tell me plainly I am an ass: so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d: so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why, then the worse for my friends and the better for my foes.


DUKE.
Why, this is excellent.
CLOWN. By my troth, sir, no; though it please you to be one of my friends.


DUKE.
Thou shalt not be the worse for me; there’s gold.
CLOWN. But that it would be double-dealing, sir, I would you could make it another.


DUKE.
O, you give me ill counsel.
CLOWN. Put your grace in your pocket, sir, for this once, and let your flesh and blood obey it.


DUKE. Well, I will be so much a sinner to be a double-dealer; there’s another.


CLOWN. Primo, secundo, tertio, is a good play; and the old saying is, the third pays for all: the triplex, sir, is a good tripping measure; or the bells of Saint Bennet, sir, may put you in mind; one, two, three.


DUKE. You can fool no more money out of me at this throw; if you will let your lady know I am here to speak with her, and bring her along with you, it may awake my bounty further.


CLOWN. Marry, sir, lullaby to your bounty till I come again. I go, sir; but I would not have you to think that my desire of having is the sin of covetousness: but, as you say, sir, let your bounty take a nap, I will awake it anon.


[Exit.]


VIOLA.
Here comes the man, sir, that did rescue me.
[Enter ANTONIO and OFFICERS .]


DUKE.
That face of his I do remember well;
Yet, when I saw it last, it was besmear’d
As black as Vulcan in the smoke of war.
A baubling vessel was he captain of,
For shallow draught and bulk unprizable;
With which such scathful grapple did he make
With the most noble bottom of our fleet
That very envy and the tongue of loss
Cried fame and honour on him. What ‘s the matter?
1 OFFICER.
Orsino, this is that Antonio
That took the Phoenix and her fraught from Candy;
And this is he that did the Tiger board,
When your young nephew Titus lost his leg.
Here in the streets, desperate of shame and state,
In private brabble did we apprehend him.
VIOLA.
He did me kindness, sir; drew on my side;
But in conclusion put strange speech upon me;
I know not what ‘t was but distraction.
DUKE.
Notable pirate! thou salt-water thief!
What foolish boldness brought thee to their mercies,
Whom thou, in terms so bloody and so dear,
Hast made thine enemies?
ANTONIO.
Orsino, noble sir,
Be pleas’d that I shake off these names you give me;
Antonio never yet was thief or pirate,
Though, I confess, on base and ground enough,
Orsino’s enemy. A witchcraft drew me hither:
That most ingrateful boy there by your side,
From the rude sea’s enrag’d and foamy mouth
Did I redeem; a wreck past hope he was.
His life I gave him, and did thereto ad
My love, without retention or restraint,
All his in dedication; for his sake
Did I expose myself, pure for his love,
Into the danger of this adverse town;
Drew to defend him when he was beset:
Where being apprehended, his false cunning,
Not meaning to partake with me in danger,
Taught him to face me out of his acquaintance,
And grew a twenty years removed thing
While one would wink; denied me mine own purse,
Which I had recommended to his use
Not half an hour before.
VIOLA.
How can this be?
DUKE.
When came he to this town?
ANTONIO.
To-day, my lord; and for three months before,
No interim, not a minute’s vacancy,
Both day and night did we keep company.
[Enter OLIVIA and ATTENDANTS.]


DUKE.
Here comes the countess; now heaven walks on earth.
But for thee, fellow,— fellow, thy words are madness;
Three months this youth hath tended upon me;
But more of that anon. Take him aside.
OLIVIA.
What would my lord, but that he may not have,
Wherein Olivia may seem serviceable?
Cesario, you do not keep promise with me.
VIOLA.
Madam!
DUKE.
Gracious Olivia,—
OLIVIA.
What do you say, Cesario? Good my lord,—
VIOLA.
My lord would speak; my duty hushes me.
OLIVIA.
If it be aught to the old tune, my lord,
It is as fat and fulsome to mine ear
As howling after music.
DUKE.
Still so cruel?
OLIVIA.
Still so constant, lord.
DUKE.
What, to perverseness? you uncivil lady,
To whose ingrate and unauspicious altars
My soul the faithfull’st off’rings have breath’d out
That e’er devotion tender’d! What shall I do?
OLIVIA.
Even what it please my lord that shall become him.
DUKE.
Why should I not, had I the heart to do it,
Like to th’ Egyptian thief at point of death,
Kill what I love?— a savage jealousy
That sometime savours nobly. But hear me this:
Since you to non-regardance cast my faith,
And that I partly know the instrument
That screws me from my true place in your favour,
Live you the marble-breasted tyrant still;
But this your minion, whom I know you love,
And whom, by heaven I swear, I tender dearly,
Him will I tear out of that cruel eye,
Where he sits crowned in his master’s spite.
Come, boy, with me; my thoughts are ripe in mischief;
I ‘ll sacrifice the lamb that I do love,
To spite a raven’s heart within a dove.
VIOLA.
And I, most jocund, apt, and willingly,
To do you rest, a thousand deaths would die.
OLIVIA.
Where goes Cesario?
VIOLA.
After him I love
More than I love these eyes, more than my life,
More, by all mores, than ere I shall love wife.
If I do feign, you witnesses above,
Punish my life for tainting of my love!
OLIVIA.
Ay me, detested! how am I beguil’d!
VIOLA.
Who does beguile you? who does do you wrong?
OLIVIA.
Hast thou forgot thyself? is it so long?
Call forth the holy father.
DUKE.
Come, away!
OLIVIA.
Whither, my lord? Cesario, husband, stay.
DUKE.
Husband!
OLIVIA.
Ay, husband! can he that deny?
DUKE.
Her husband, sirrah!
VIOLA.
No, my lord, not I.
OLIVIA.
Alas, it is the baseness of thy fear
That makes thee strangle thy propriety.
Fear not, Cesario; take thy fortunes up;
Be that thou know’st thou art, and then thou art
As great as that thou fear’st.
[Enter PRIEST.]


O, welcome, father!
Father, I charge thee, by thy reverence,
Here to unfold, though lately we intended
To keep in darkness what occasion now
Reveals before ‘t is ripe, what thou dost know
Hath newly pass’d between this youth and me.
PRIEST.
A contract of eternal bond of love,
Confirm’d by mutual joinder of your hands,
Attested by the holy close of lips,
Strengthen’d by interchangement of your rings;
And all the ceremony of this compact
Seal’d in my function, by my testimony;
Since when, my watch hath told me, toward my grave
I have travell’d but two hours.
DUKE.
O thou dissembling cub! what wilt thou be
When time hath sow’d a grizzle on thy case?
Or will not else thy craft so quickly grow
That thine own trip shall be thine overthrow?
Farewell, and take her; but direct thy feet
Where thou and I henceforth may never meet.
VIOLA.
My lord, I do protest,—
OLIVIA.
O, do not swear!
Hold little faith, though thou has too much fear.
[Enter SIR ANDREW.]


SIR ANDREW.
For the love of God, a surgeon! Send one presently to Sir Toby.
OLIVIA.
What ‘s the matter?
SIR ANDREW. Has broke my head across and has given Sir Toby a bloody coxcomb too; for the love of God, your help! I had rather than forty pound I were at home.


OLIVIA.
Who has done this, Sir Andrew?
SIR ANDREW. The count’s gentleman, one Cesario; we took him for a...

Erscheint lt. Verlag 27.2.2014
Sprache englisch
Themenwelt Literatur Lyrik / Dramatik Dramatik / Theater
Literatur Lyrik / Dramatik Lyrik / Gedichte
ISBN-10 4-06-644462-8 / 4066444628
ISBN-13 978-4-06-644462-6 / 9784066444626
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