London Tide (eBook)
112 Seiten
Faber & Faber (Verlag)
978-0-571-39273-5 (ISBN)
Ben Power is a writer and dramaturg and an Associate of the National Theatre. His plays include his Tony Award-winning adaptation of The Lehman Trilogy (National Theatre, West End, Broadway), D. H. Lawrence's Husbands and Sons, Euripides' Medea, Ibsen's Emperor and Galilean (National Theatre), A Tender Thing (RSC), Six Characters in Search of an Author with Rupert Goold (West End, International Tour), Faustus with Rupert Goold and Paradise Lost (Headlong). His screenplays include Munich: The Edge of War (Netflix) and the BAFTA-winning The Hollow Crown (BBC). From 2006-2010 he was Associate Director of Headlong and between 2014-2020 he was Deputy Artistic Director of the National Theatre.
The genius of Dickens meets PJ Harvey's fierce, lyrical songs in this romantic and propulsive thriller adapted by Ben Power (The Lehman Brothers). It begins like this. With the dusk and the storm and the Thames. A storm rages and, in the darkest part of the night, a body is pulled from the swirling Thames. Across the city, two young women confront an uncertain future. In Limehouse, Lizzie Hexam struggles to break free of the river and its dark secrets. On the other side of town, Bella Wilfer mourns a lost marriage. The appearance of the mysterious John Rokesmith has the potential to change their lives for ever. Will they sink or swim?A hymn to the city and the river that runs through it, London Tide premiered at the National Theatre, London, in April 2024.
Song: ‘London Song’
Company
This is a story about money
and of love.
About the lies that are told
and the truths that are hidden.
This is the story of a city;
rolling fog and moonlight.
It’s the story of souls who find themselves
and the ones that are lost.
This is a story about London,
and of death and resurrection.
It’s a story about London –
her stone-hard heart.
This is the story of a river
that springs from the mudbanks,
that emerges from the marshland,
and the secrets that lie under water
’neath the soft, black rain.
This is a story about London,
and of death and resurrection.
It’s a story about London –
her stone-hard heart.
It begins like this,
with the dusk and the storm
and the Thames …
The music continues. Lizzie talks to us.
Lizzie In these times of ours
(though concerning the exact year,
there is no need to be precise)
in this great hungry city
there was, one night, a storm.
The river was empty
’cept for a single filthy boat
which jerked and rolled
beneath the iron mass of Southwark Bridge.
Gaffer Keep her out, Lizzie! Tide runs strong here.
Gaffer appears in a boat.
Lizzie His eyes are fixed on the oily surface
always searching.
He hates to go home without a catch.
My job is to keep the boat straight.
Try to keep the look of dread from my face.
Gaffer Hold her steady.
Lizzie The shadows deepen as we pass London Bridge.
There’s a tender yellow moonlight on the river
and suddenly …
Gaffer There!
Lizzie … it catches something,
something black and heavy in the water.
Gaffer Lizzie!
We see something floating. Lizzie climbs into the boat.
There now. Get in close.
Closer.
Gaffer leans out and pulls the heavy object towards them. He gets a rope and begins to lash it to their boat.
Oh, but it’s a fine one.
Steady.
Not been in long, but look! Lizzie!
He didn’t go in with empty pockets.
Gaffer lifts a handful of shiny wet coins up to the moonlight.
Hold this while I lash him up.
Keep your eye on it.
Lizzie I can’t look at it.
Gaffer Sometimes I think you hate the river.
Lizzie No, Father.
Gaffer This water’s given us everything we have in the world.
Lizzie I know.
Gaffer And again tonight it yields its treasure.
He throws something small into the water, an offering back to the river.
Now home, pull home, Liz.
Lizzie steps away from the boat as it moves off.
Lizzie I row, never looking at what we tow behind us.
I keep my head down,
as I always do on nights like this
when the rain lashes and the corpses float
and the river seems to mean only death.
Gaffer Lizzie! Pull home!
Company
This is a story about London
and of death and resurrection.
It’s a story about London –
her stone-hard heart.
The river disappears.
Two lawyers are in their shared rooms. Mortimer Lightwood is at work, Eugene Wrayburn smokes and paces.
Eugene Nights like this, London’s at her worst.
A beleaguered city beneath a leaden sky.
Mortimer You’re in cheery spirits.
Eugene I’m bored, Mortimer.
Mortimer You could do some work?
Eugene Pointless.
Endless cases tried and retried.
Nothing changes.
Mortimer You knew what the law was when we trained.
Eugene The law’s a guard rail
protecting the rich and powerful of this city
from the restless horde at their gate:
the poor, the hungry, the unseen.
Mortimer Have you been drinking?
Eugene There isn’t enough gin in London.
I want …
Mortimer What?
Eugene Change. Purpose. Something.
Suddenly, a boy of sixteen – Charley Hexam – appears.
Charley Mr Lightwood?
Mortimer Yes?
Charley Nice room.
Mortimer Can I help you?
Charley Here.
Charley hands Mortimer a piece of paper. He reads, then looks at Charley.
Mortimer Is this your hand?
Charley I can write, sir. Shocking, innit?
My father told me what to put.
Eugene moves next to Mortimer.
Eugene What is it?
Mortimer My missing client.
His body’s been pulled out of the river.
(Back to Charley.) Your father found him?
Charley And the papers that mentioned your name.
Mortimer It’s certain he’s dead?
Charley As a door-nail.
Mortimer Right.
Charley Though I never knew what was so dead about a door-nail.
Mortimer Young man.
Charley Coffin-nail, maybe.
Look at these shelves!
Eugene You’re interested in books?
Charley I love ’em, sir.
No one who can read ever looks at a book,
even unopened on a shelf,
like someone who cannot.
It’s my sister’s contriving.
Eugene Then you have a good sister.
Mortimer Where’s the body now?
Charley Limehouse. There’s a cab outside, as long as you’ll pay for it.
He holds his hand out. Mortimer gives him some coins and turns to Eugene.
Mortimer You wanted something to happen.
Eugene Me?
Mortimer Come with me.
It’ll be an adventure.
Eugene Or a disaster.
Come on then.
A cab appears and the lawyers step in. Charley climbs up behind and they set off.
Charley We leave the polished stone of the Inns of Court
and the carriage rolls us down Fleet Street
past the shuttered Cathedral.
Past the Smithfield market porters
and the walls of Newgate.
Through the emptying streets
the stone arches
and the moonlit squares of the City.
Down past the Bank and the Exchange
by the Monument and the Tower.
Down over the bridge
towards the darker side of the river.
Mortimer The drowned man’s name is John Harmon.
Just last month his father died
and left him a vast inheritance.
Eugene Who was the father?
Mortimer An old...
Erscheint lt. Verlag | 9.5.2024 |
---|---|
Sprache | englisch |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
ISBN-10 | 0-571-39273-3 / 0571392733 |
ISBN-13 | 978-0-571-39273-5 / 9780571392735 |
Haben Sie eine Frage zum Produkt? |
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Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belletristik und Sachbüchern. Der Fließtext wird dynamisch an die Display- und Schriftgröße angepasst. Auch für mobile Lesegeräte ist EPUB daher gut geeignet.
Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen eine
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen eine
Geräteliste und zusätzliche Hinweise
Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.
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