Adaptation, Authorship, and Contemporary Women Filmmakers
Seiten
2015
|
1st ed. 2015
Palgrave Macmillan (Verlag)
978-1-349-32910-6 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-32910-6 (ISBN)
A lively discussion of costume dramas to women's films, Shelley Cobb investigates the practice of adaptation in contemporary films made by women. The figure of the woman author comes to the fore as a key site for the representation of women's agency and the authority of the woman filmmaker.
Shelley Cobb is Associate Professor in Film and English at the University of Southampton, UK. She has published widely in the areas of women filmmakers, adaptation and celebrity studies, and is the co-editor, with Neil Ewen, of First Comes Love: Power Couples, Celebrity Kinship, and Cultural Politics (2015).
Acknowledgements Introduction: Agency, Adaptation and Authorship 1. Envisioning Judith Shakespeare: Collaboration and the Woman Author 2. Adapt or Die: The Dangers of Women's Authorship 3. Authorizing the Mother: Sisterhoods in America 4. Postfeminist Austen: by Women, for Women, about Women Conclusion: The Secret Life of Bees and Authorial Subversion Bibliography Endnotes
Erscheinungsdatum | 26.05.2016 |
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Zusatzinfo | VI, 167 p. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 140 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Kommunikation / Medien | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
Schlagworte | Adaptation • authorship • Cultural Politics • Cultural Studies • Feminism • Film Studies • Gender • postfeminism • WOMEN FILMMAKERS • WOMEN'S CINEMA |
ISBN-10 | 1-349-32910-X / 134932910X |
ISBN-13 | 978-1-349-32910-6 / 9781349329106 |
Zustand | Neuware |
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