Runaway Hollywood

Daniel Steinhart is Assistant Professor of Cinema Studies at the University of Oregon. His work on film and media has appeared in Cinema Journal, NECSUS: European Journal of Media Studies, InMedia: The French Journal of Media Studies, and various edited collections.

Acknowledgments
Prologue: Movie Ruins
Introduction: “Have Talent, Will Travel”

part i:
foundations
1 • All the World’s a Studio: Th e Design and Debates
of Postwar “Runaway” Productions
Case Study. Tax Evasion, Red-Baiting, and the White Whale:
Moby Dick (1956)

part i i:
production
2 • London, Rome, Paris: Th e Infrastructure of Hollywood’s
Mode of International Production
3 • Lumière, Camera, Azione!: Th e Personnel and Practices
of Hollywood’s Mode of International Production
Case Study. When in Rome: Roman Holiday (1953)

part i i i:
style
4 • A Cook’s Tour of the World: Th e Art of International
Location Shooting
Case Study. Mental Spaces and Cinematic Places:
Lust for Life (1956)
Epilogue: Sunken Movie Relics
Appendix: Hollywood’s International Productions,
1948–1962
Notes
Index