Dreaming the Impossible (eBook)

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2022 | 1. Auflage
352 Seiten
Birlinn Ltd (Verlag)
978-1-78885-534-1 (ISBN)

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Dreaming the Impossible -  Mihir Bose
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Shortlisted for the 2023 Sports Book Awards for Best Sports Writing of the Year The British, who are rightly proud of their sporting traditions, are now having to come to terms with the dark, unacknowledged, past of racism in sport - until now the truth that dare not speak its name. Conscious and unconscious racism have for decades blighted the lives of talented black and Asian sportsmen and women, preventing them from fulfilling their potential. In Formula One, despite Lewis Hamilton's stellar achievements, barely one per cent of the 40,000 people employed in the sport are of ethnic minority heritage. In football, Britain's premier sport, the number of non-white managers in the professional game remains pitifully small. And in cricket, Azeem Rafiq's testimony to the Commons select committee has exposed the scandal of prejudice faced by Asian cricketers in the game. Veteran author and journalist Mihir Bose examines the way racism has affected black and Asian sportsmen and women and how attitudes have evolved over the past fifty years. He looks in depth at the controversies that have beset sport at all levels: from grassroots to international competitions and how the 'Black Lives Matter' movement has had a seismic impact throughout sport, with black sports personalities leading the fight against racism. However, this has also led to a worrying white fatigue. Talking to people from playing field to boardroom and the media world, he illustrates the complexities and striking contrasts in attitudes towards race. We hear the voices of players, coaches and administrators as Mihir Bose explores the question of how the dream of a truly non-racial sports world can become a reality. The Marcus Rashford mural featured on the cover was commissioned by the Withington Walls community art project, created by artist AskeP19 (@akse_p19) and based on photography by Danny Cheetham (@dannycheetham). To find out more about the Withington Walls project, you can follow them at @Withingtonwalls on both Twitter and Instagram, or visit their website: www.withingtonwalls.co.uk

Mihir Bose is a British-Indian journalist and author who was the first Sports Editor of the BBC. In nearly 50 years in journalism he has worked for the Sunday Times, the Daily Telegraph and written on sport, business and social and historical issues for the Financial Times, Daily Mail, Independent, Sunday People, Evening Standard, Irish Times and History Today and broadcast for Sky, ITV, Channel Four News and was the first cricket correspondent of LBC Radio. He is the author of 37 books. His History of Indian Cricket won the 1990 Cricket Society Silver Jubilee Literary Award. His Sporting Colours was runner-up in the 1994 William Hill Sports Book of the Year.
Shortlisted for the 2023 Sports Book Awards for Best Sports Writing of the YearThe British, who are rightly proud of their sporting traditions, are now having to come to terms with the dark, unacknowledged, past of racism in sport until now the truth that dare not speak its name. Conscious and unconscious racism have for decades blighted the lives of talented black and Asian sportsmen and women, preventing them from fulfilling their potential. In Formula One, despite Lewis Hamilton's stellar achievements, barely one per cent of the 40,000 people employed in the sport are of ethnic minority heritage. In football, Britain's premier sport, the number of non-white managers in the professional game remains pitifully small. And in cricket, Azeem Rafiq's testimony to the Commons select committee has exposed the scandal of prejudice faced by Asian cricketers in the game. Veteran author and journalist Mihir Bose examines the way racism has affected black and Asian sportsmen and women and how attitudes have evolved over the past fifty years. He looks in depth at the controversies that have beset sport at all levels: from grassroots to international competitions and how the 'Black Lives Matter' movement has had a seismic impact throughout sport, with black sports personalities leading the fight against racism. However, this has also led to a worrying white fatigue. Talking to people from playing field to boardroom and the media world, he illustrates the complexities and striking contrasts in attitudes towards race. We hear the voices of players, coaches and administrators as Mihir Bose explores the question of how the dream of a truly non-racial sports world can become a reality. The Marcus Rashford mural featured on the cover was commissioned by the Withington Walls community art project, created by artist AskeP19 (@akse_p19) and based on photography by Danny Cheetham (@dannycheetham). To find out more about the Withington Walls project, you can follow them at @Withingtonwalls on both Twitter and Instagram, or visit their website: www.withingtonwalls.co.uk

Mihir Bose is a British-Indian journalist and author who was the first Sports Editor of the BBC. In nearly 50 years in journalism he has worked for the Sunday Times, the Daily Telegraph and written on sport, business and social and historical issues for the Financial Times, Daily Mail, Independent, Sunday People, Evening Standard, Irish Times and History Today and broadcast for Sky, ITV, Channel Four News and was the first cricket correspondent of LBC Radio. He is the author of 37 books. His History of Indian Cricket won the 1990 Cricket Society Silver Jubilee Literary Award. His Sporting Colours was runner-up in the 1994 William Hill Sports Book of the Year.

ONE


SUFFER IN SILENCE


‘I have never thought of being black when going into a football match. I don’t think of myself as being black. I didn’t find it odd that there were no black people in the crowd. Sometimes I felt a little bit uncomfortable, that there should be more black people. But the number of people who are black in a crowd doesn’t mean anything. What matters is people wearing your colours.’

The man telling me that was Luther Blissett, a legend at Watford, who played 14 times for England and then went on to play in Italy. Our conversation was taking place just before Euro 96 with the country convinced that racism was history, football was coming home and the game would unite people of all colours and creeds. After all, it was 18 years since Viv Anderson had become the first black player to play for England. In those months before Euro 96, began Blissett was one of a number of footballers, coaches and school administrators I talked to. Their views feature in this and the next chapter before we move on to how sports people feel about race in the second decade of the 21st century. For Blissett not to see colour may seem that we have a nonracial sports world, but I found when talking to him that this was also because Blissett was part of the generation told by his white managers that he should just put up with racism.

For Blissett, who came from Jamaica, football came naturally:

‘I just liked playing football. Never saw it as a problem. Went to Willesden High, which has produced black sportsmen like Chris Lewis, [Phillip] DeFreitas, not far away was John Kelly, where Mike Gatting, Ricky Hill and Brian Stein came from. As black players are athletic – we are a lot quicker – lots of the black players are forwards, get down the wings and cross, or get behind them. It is the pace that makes us different. When I started there was Clyde Best, Ade Coker, Brendon Batson and Laurie Cunningham. I was one of the forerunners. I did hear comments like black players are fine when the sun is out, not when it gets cold or, if you kick them you won’t see them. I got abuse from the crowd. They would call me black bastard, coon, nigger. Certain people would call me names. But it never worried me.’

It helped that from the beginning Blissett was part of a group:

‘In Willesden High I played in an all-black team bar one white player, John West, who was our skipper. He played in midfield but he had to earn our respect. When we played other schools there would be a hostile atmosphere. We would go to some schools where there were no black players and they would be shouting “coons, black bastards, niggers”, the lot. But when you are in a group together you can take it. It is you, your group, against them. You go out and you want to show them. You think, I will stick the ball in the net – that will show them. When you are in a group you are there to do a job and if you have done that you feel you have answered the people who are abusing you.’

This was the advice Graham Taylor, his manager at Watford, later gave him: ‘Concentrate on your game, play your game and stick the ball into the net.’

Blissett clung to this advice and when I spoke to him he was reluctant to talk about the racial abuse he had suffered. Then finally I was able to draw out of him the night in Peterborough long before he became famous, a night he would rather not remember. Blissett, making his way at Watford, was playing in a reserve game. It was the 1976–77 season, an evening game:

‘I was the only black player in the Watford team, the only one in the park, probably the only one in the entire stadium. There were about 1,000 people. The Peterborough players were calling me names. But name-calling had never bothered me. I was not perturbed by the atmosphere. In those days I was very single-minded. Anyway, I was used to abuse. But it was the crowd – it was just horrendous. They were shouting everywhere, in the stands, on the terraces, everywhere. But the abuse and the shouting was horrible. Monkey noises – “Ugh-ugh-ugh-ugh-ugh” every time I got the ball – and shouts of coon and everything else. They didn’t throw things; it wasn’t fashionable to throw things. Even the Peterborough players were calling me names. One of our players said to take no notice. They said the best way to shut these people up is stick the ball in the net.’

Blissett did not score that night but that game made Blissett determined to succeed. He also developed a code:

‘If people spat at me, I ignored it. Players did spit on me, in isolated instances in the league, or supporters when I was going for a corner. As long as it was not against me in the face. But if anybody spat at me and it hit me in the face I would have turned on them. Then the gloves came off.’

It took Italy, where Blissett went in the late eighties, for him to realise that the game can generate passionate support but avoid the hate so endemic in English sport:

‘Italy has fanatical support. I was very well treated. In Italy it is a national pastime. Everybody will have an opinion but there is no name-calling, no spitting. In Italy fanaticism is about football; it is not about hating the other team or their supporters. I think there is hate in English football, a lot of hate. I don’t know the real reason for it. But something has changed. It has become far more organised.’

David Pleat had suggested that if I wanted to speak to an articulate black player, one aware of the political undertones, I should speak to Brian Stein. He had been part of Pleat’s Luton team of the eighties and had been as much a hero of Kenilworth Road as Blissett had been at the same time at Vicarage Road. Both had also played for England about the same time. But although they share the same skin colour, Stein had come to this country from South Africa and the difference in outlook was immense:

‘I was seven years old when I came here from South Africa. My father was politically active in South Africa – he suffered 24-hour house arrest. He was always at home, and couldn’t read political material. We lived in Athlone, a coloured township, and the colour bar was a bit like a caste system. By the time I left South Africa I was aware. Edwin, my brother, was very aware. In England, when I met Ricky Hill and Paul Elliott, I realised they were aware. I had played football in Cape Town and I always wanted to be a footballer. My heroes were Pelé and George Best. In England we lived in Willesden and the first thing that struck me was that there were no black players. When I started playing I heard this myth about black players not having stamina. They couldn’t run for 90 minutes. Players lack stamina, and when it is snowing they can’t get going. This was in 1977. I was only 19 then.’

Stein went to school in Hampstead, a predominantly white but mixed school:

‘We knew the difference between black and white but as kids you can adapt to anything. Kids live from day to day. Terry Dyson, the Tottenham double hero, was the sports teacher. He didn’t particularly encourage me. My brother Edwin, former assistant manager at Birmingham, pushed me more. He got me motivated more than my schoolteachers. Edwin urged me to start playing. I went to college, got my A levels, but my parents weren’t wealthy – we had eight kids – and I stopped playing football after 15. Then Sudbury Colts came in and paid me £5, Edwin having persuaded them. At Sudbury I played under Des Taylor for six or seven teams. Smith was the manager of the first team and there were no problems of colour. I played for Sudbury for half a season. A chap came from Edgware and said that if you go to Edgware you can earn more money, so Edwin and I went. After a month and a half we had a lot of scouts watching. One Wednesday, the chairman of Edgware said Luton were interested and they signed me. Pleaty was the reserve team manager.’

Pleat took over as first-team manager in 1979 and soon realised that Stein was different. The driver of the Luton coach could not be more right wing. His support for apartheid was vigorous and he often voiced his dismay over the ban imposed on white sporting South Africa. Pleat, aware Stein might get into a row with him, said, ‘Whatever you do, do not argue with the coach driver. It is a waste of time.’ Stein avoided any major rows but there was always the crowd:

‘You would get mostly supporters shouting “Ugh-ugh-ugh-ugh-ugh,” – monkey noises whenever you had the ball – or throwing bananas. Cup game against a team from the Third Division. Wigan or Hartlepool. Got a lot of stick. We played a game in the eighties. Cup match. One of the players called me black something. I did not let that go. I gave him a bit of stick. In the early eighties Chelsea crowds gave a lot of stick to Paul Canoville, terrible abuse, much more than either Ricky Hill or I received. They destroyed him. It was particularly nasty – Phil Walker and Trevor Lee had a terrible time.’

But there are two abiding, horrific memories for Stein, both from the supposedly friendly, warm north – Blackburn and Burnley:

‘Early in my career, the north was much worse. Past Birmingham the black explosion of players did not develop. Blackburn was one of the worst. Burnley, they spat at me. At Blackburn I was a sub and I was walking through the tunnel. It was just before the match and the crowd were throwing things. Coins, bananas. By the tunnel at Black-burn the crowd were close. I was spat at. I was very upset. I nearly spat back. I felt like Cantona did when he was abused but I did not react like him,...

Erscheint lt. Verlag 5.5.2022
Zusatzinfo 12pp colour plates
Verlagsort London
Sprache englisch
Themenwelt Sachbuch/Ratgeber Sport
Schulbuch / Wörterbuch Lexikon / Chroniken
Geisteswissenschaften Geschichte Hilfswissenschaften
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Sozialwissenschaften Soziologie Makrosoziologie
Schlagworte Azeem Rafiq • BlackLivesMatter • Boris Becker • Britain • British sport • challenging • Chris Froome • community art • Cricket • Crystal Palace • Diversity • EDI • eqaulity • fascinating • Football • Hamza Abdullah • inclusivity • Institutional Racism • lionesses • Majid Haq • Mako Vunipola • Marcus Rashford • Marion Bartoli • Mural • Racism • Raheem Sterling • Roy Hodgson • shortlisted • Soccer • Sport • sport books • Sports Book Awards • steph houghton • Sunday Times • Tennis • Thought-provoking • Withington Walls
ISBN-10 1-78885-534-5 / 1788855345
ISBN-13 978-1-78885-534-1 / 9781788855341
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