Protecting the Dharma through Calligraphy in Tang China

Pietro De Laurentis was born in southern Italy and studied Sinology at the University of Naples “L’Orientale,” where he received his Ph.D. in East Asian Studies in 2007. He was trained in Chinese philology and Chinese calligraphy, theoretical and practical, in Hangzhou, Tianjin, and Shanghai. From 2010 to 2016 he was Research Fellow at the University of Naples “L’Orientale,” where he taught Literary Chinese and Modern Chinese. He is currently chair professor at the Guangzhou Academy of Fine Arts.

1. Buddhism and Calligraphy in Medieval China 2. Wang Xizhi’s Calligraphy and the Semi-cursive Script (Xingshu 行書) 3. The Ji Wang shengjiao xu and Its Texts 4. The Context of the Erection of the Ji Wang shengjiao xu 5. A History of the Location of the Ji Wang shengjiao xu 6. The Collation of Wang Xizhi’s Characters for the Ji Wang shengjiao xu 7. The Carving of the Ji Wang shengjiao xu 8. The Shape and the Calligraphy of the Ji Wang shengjiao xu