Music and the Cultures of Print

Kate van Orden is Assistant Professor of Music at the University of California, Berkeley. She has published on the Renaissance chanson and on French symbolism and music. She also specializes in historical performance on the bassoon and has performed and recorded with such ensembles as Les Arts Florissants, Collegium Vocale Ghent, Tafelmusik, and La Petite Bande.

Introduction. Kate Van Orden Printing the 'New Music'. Tim Carter Elite Books, Popular Readers, and the Curious Hundred Year History of the Liber Usualis. Katherine Bergeron Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera. Thomas Christensen Alban Berg Remembers Emil Hertzka: Composer and Publisher Between Real and Ideal. Robert Holzer Orlando di Lasso, Composer and Print Entrepreneur. James Haar Authors and Anonyms: Recovering the Anonymous Subject in Cinquecento Vernacular Objects. Martha Feldman Enterprise and Identity: Black Music, Theater, and Print Culture in Turn-of-the-Century Chicago. Thomas Bauman Benigne de Bacilly and the Recueil des plus beaux vers, qui ont este mis en chant of 1661. Lisa Perella Cheap Print and Street Songs Following the Vespres Lyonnaise. Kate Van Orden Afterword. Roger Chartier