Shadow Cinema

The Historical and Production Contexts of Unmade Films

James Fenwick, Kieran Foster, David Eldridge (Herausgeber)

Buch | Hardcover

280 Seiten

2020
Bloomsbury Academic USA (Verlag)
978-1-5013-5159-4 (ISBN)

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Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed – a “shadow cinema” that exists only in the archives.

This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why ‘failures’ occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema.

James Fenwick is a senior lecturer in Media and Communications at Sheffield Hallam University. He is the author of Stanley Kubrick Produces (2020) and Unproduction Studies and the American Film Industry (2021). Kieran Foster is an AHRC funded PhD student at De Montfort University, UK. His research focuses on the British Company Hammer’s Films unmade projects. He has published in peer-reviewed journals, with an piece on Hammer’s failed adaptation Vlad the Impaler appearing in the Journal of Adaptation in Film and Performance. David Eldridge is a senior lecturer in American Studies at the University of Hull, UK. He is the author of Hollywood’s History Films (2008) and is currently working on a monograph concerning the impact that censorship has had on the American film industry’s representations of the past.

Part I: Producers and production companies
1. A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo!
James Fenwick
2. Gone with the winds that never were: The David O. Selznick Archive and unmade historical cinema
David Eldridge
3. Parting the Iron Curtain: Michael Klinger’s attempt to make A Man and a Half
Andrew Spicer

Part II: Directors and auteurs
4. Unfinished business: Godard, cinema and theatre in the 1960s
Michael Witt
5. Ken Russell’s unfinished projects and unmade films, 1956-1968: The BBC years
Matthew Melia
6. Ghatak in the shadows: Films that struggled
Sanghita Sen

Part III: Questioning the unmade
7. Herding Cats; or, the possibilities of unproduction studies
Peter C. Kunze
8. Assembling Frankenstein
Kieran Foster
9. Burning bright: Samuel Fuller’s Tigrero and accidental ethnography
Andrew Howe
10. Clouzot’s L’Enfer
Lucy Mazdon
11. Claude Lanzmann’s Shoah and its shadow: Rescue and resistance
Sue Vice

Part IV: Reconstructing the unmade
12. The never Alice: Marilyn Manson, gothic girlhoods, and Phantasmagoria: The Visions of Lewis Carroll
Alexandra Heller-Nicholas
13. The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s film culture and the (non) filming of the Yorkshire Ripper Murders
Hannah Hamad
14. The unmade undead: A post-mortem of the post-9/11 zombie cycle
Todd K. Platts

Index

Erscheinungsdatum	13.11.2020
Verlagsort	New York
Sprache	englisch
Maße	152 x 229 mm
Gewicht	544 g
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Sozialwissenschaften ► Kommunikation / Medien ► Journalistik
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
	Wirtschaft
ISBN-10	1-5013-5159-1 / 1501351591
ISBN-13	978-1-5013-5159-4 / 9781501351594
Zustand	Neuware