The Palgrave Handbook of the Philosophy of Film and Motion Pictures

Noël Carroll is Distinguished Professor of Philosophy at the Graduate Center of CUNY, USA. Laura T. Di Summa-Knoop is an Assistant Professor of Philosophy at William Paterson University, USA.

lt;p>The Medium in Film and Motion Pictures

1.Frank Boardman - Film Ontology: Extension, Criteria, and Candidates

2. Noël Carroll - Medium Specificity

3. Nick Wiltsher and Aaron Meskin- The Moving Image

4. Patrick Keating - The Art of Cinematography

The Structure of Film and Motion Pictures

5. Angela Curran - Silly Questions and Arguments for the Implicit, Cinematic Narrator

6. Patrick Keating - Narrative and the Moving Image

7. Karen Pearlman - On Rhythm in Film Editing

8. David Davies - Animation

9. Paloma Atencia-Linares - Sound in Film

10. Ted Nannicelli - What is a Screenplay?

Approaches and Schools

11. Richard Eldridge - Analytic Philosophy of Film (Contrasted with Continental Film Theory)

12. John Ó Maoilearca - When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy

13. Shawn Loht - The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures

14. Espen Hammer - Ideology and Experience: The Legacy of Critical Theory

15. Paul Guyer - Stanley Cavell: What Becomes of People on Film?

16. Deborah Knight - Film Art from the Analytic Perspective

17. Carl Plantinga - Cognitive Theory of the Moving Image

18. Andrew Klevan - Aesthetic Criticism

19. Robert Sinnerbrink - Poststructuralism and Film

Philosophy Through Film

20. Eva M. Dadlez - Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments

21. Thomas E. Wartenberg - Contemporary Philosophical Filmmaking

22. Robert Sinnerbrink - Filmosophy/Film as Philosophy

Auteur Theory, the Avant-garde and New Filmmakers

24. Tom Gunning - The Question of Poetic Cinema

25. Malcolm Turvey - Avant-garde Film as Philosophy

Documentary

26. Vitor Moura - Show and Tell: The identification of documentary film

27. Laura T. Di Summa - The Autobiographical Documentary

Movies and Society

28. Zoë Cunliffe - Feminist Philosophy of Film

29. Lewis R. Gordon- Race in Film

30. David A. Gerstner - How Do We Look So Far? Notes Toward a Queer-Film Philosophy

31. Jacob M. Held - Film, Art, and Pornography

32. Sheryl Tuttle Ross - Propaganda and the Moving Image

Movies and the Arts

33. Kristin Boyce - Film and Fine Art: Automatism, Automata and "The Myth of Total Cinema" in The Red Shoes and Tales of Hoffmann

34. John Dyck - The Sonic Art of Film and the Sonic Arts in Film

35. Garry L. Hagberg - Adaptation, Translation, and Philosophical Investigation in Adaptation

Emotions and Psychology

36. Jonathan Gilmore - Imagination and Film

37. Daniel Jerónimo Tobón- Empathy and Sympathy: Two Contemporary Models of Character Engagement

38. Jesse J. Prinz - Affect and Motion Pictures

39. Nick Pappas - Psychoanalysis and the Philosophy of Film

Alternative Media

40. Ted Nannicelli - The Television Medium

41. Jon Robson and Aaron Meskin - Video games and Film

42. Gal Raz - Virtual Reality as an Emerging Art Medium and its Immersive Affordances