French National Cinema
Seiten
1993
Routledge (Verlag)
978-0-415-05728-8 (ISBN)
Routledge (Verlag)
978-0-415-05728-8 (ISBN)
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An examination of France's national cinema through its primary artefact, the feature film, discussing both popular cinema and the 'avant-garde' cinema that contests it, and the ways in which each cross-fertilises the other.
This examination of France's national cinema takes its primary artefact, the feature film and discusses both popular cinema and the `avant garde' cinema that contests it.
Susan Hayward argues that writing on French national cinema has tended to focus on either `great' film-makers or on specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough and much-needed historical textualisation of those moments and relocates them them in their wider political and cultural context. Beginning with an `ecohistory' of the French film industry, she then traces the various movements in French cinema and the directors associated with them, including the avant-garde, Poetic-Realist, New Wave and today's postmodern cinema. Her analysis includes, amongst other considerations, the social and political concerns these cinemas reflect.
This examination of France's national cinema takes its primary artefact, the feature film and discusses both popular cinema and the `avant garde' cinema that contests it.
Susan Hayward argues that writing on French national cinema has tended to focus on either `great' film-makers or on specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough and much-needed historical textualisation of those moments and relocates them them in their wider political and cultural context. Beginning with an `ecohistory' of the French film industry, she then traces the various movements in French cinema and the directors associated with them, including the avant-garde, Poetic-Realist, New Wave and today's postmodern cinema. Her analysis includes, amongst other considerations, the social and political concerns these cinemas reflect.
Preface Introduction: Defining the "national" of a country's cinematic production 1. A brief ecohistory of France's cinema industry 2. Magical moments of musical silence: French cinema's classical age 3. From clarity to obscurity: French cinema's age of modernism 4. From ideology to narcissism Conclusion Bibliography
Erscheint lt. Verlag | 22.7.1993 |
---|---|
Reihe/Serie | National Cinemas |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 454 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Sozialwissenschaften ► Kommunikation / Medien ► Journalistik | |
Wirtschaft | |
ISBN-10 | 0-415-05728-0 / 0415057280 |
ISBN-13 | 978-0-415-05728-8 / 9780415057288 |
Zustand | Neuware |
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