Adaptation and Nation (eBook)

Theatrical Contexts for Contemporary English and Irish Drama
eBook Download: PDF
2017 | 1st ed. 2017
IX, 185 Seiten
Palgrave Macmillan UK (Verlag)
978-1-137-42587-4 (ISBN)

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Adaptation and Nation -  Catherine Rees
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This book focuses on modern theatrical adaptations that rework classic plays in new British and Irish settings. It explores these shifted national contexts and examines what they might reveal about the political and cultural climate of the new setting. In examining the modern setting alongside the country of the original text, it also reveals fascinating resonances between two different national contexts. The book discusses five British and Irish playwrights and their current adaptations, examining well-known dramatists such as Martin McDonagh, Sarah Kane and Brian Friel, while analysing some of their less well-known plays, offering a novel examination of the adaptation process. The book further provides an insightful commentary on some significant events of the twentieth century in Britain and Ireland, such as the historic Labour victory of 1945 and scandals in the Royal Family since the 1990s. This book will appeal to theatre and performance enthusiasts, as well as students and scholars of both theatre and adaptation.

Catherine Rees is Lecturer in Drama at Loughborough University, UK.  She works primarily on contemporary British and Irish playwrights, and has published on Martin McDonagh, Sarah Kane and Harold Pinter.  She is especially interested in questions of nationalism, gender and political theatre.  


This book focuses on modern theatrical adaptations that rework classic plays in new British and Irish settings. It explores these shifted national contexts and examines what they might reveal about the political and cultural climate of the new setting. In examining the modern setting alongside the country of the original text, it also reveals fascinating resonances between two different national contexts. The book discusses five British and Irish playwrights and their current adaptations, examining well-known dramatists such as Martin McDonagh, Sarah Kane and Brian Friel, while analysing some of their less well-known plays, offering a novel examination of the adaptation process. The book further provides an insightful commentary on some significant events of the twentieth century in Britain and Ireland, such as the historic Labour victory of 1945 and scandals in the Royal Family since the 1990s. This book will appeal to theatre and performance enthusiasts, as well as students and scholars of both theatre and adaptation.

Catherine Rees is Lecturer in Drama at Loughborough University, UK.  She works primarily on contemporary British and Irish playwrights, and has published on Martin McDonagh, Sarah Kane and Harold Pinter.  She is especially interested in questions of nationalism, gender and political theatre.  

Chapter 1. Introduction.- Chapter 2. Brian Friel.- Chapter 3. Marina Carr.- Chapter 4. Sarah Kane.- Chapter 5. Patrick Marber.- Chapter 6. “An Interlude”.- Chapter 7. Martin McDonagh.- Chapter 8. Conclusion.- Bibliography.- Index.

Erscheint lt. Verlag 17.11.2017
Reihe/Serie Adaptation in Theatre and Performance
Zusatzinfo IX, 185 p.
Verlagsort London
Sprache englisch
Themenwelt Literatur Lyrik / Dramatik Dramatik / Theater
Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften
Sozialwissenschaften Politik / Verwaltung
Schlagworte allegorical theatre • Brian Friel • british theatre • cinematic adaptation • contemporary theatre • Cultural Adaptation • dramatic translation • Interdisciplinarity • Intertextuality • Irish theatre • Marina Carr • Martin McDonagh • National Culture • national identity • National Theatre • Patrick Marber • political theatre • Sarah Kane • textual hybridity • theatrical adapatation
ISBN-10 1-137-42587-3 / 1137425873
ISBN-13 978-1-137-42587-4 / 9781137425874
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