The Oxford Handbook of Screendance Studies

Douglas Rosenberg is Professor of Art at the University of Wisconsin - Madison and an award winning filmmaker whose work for the screen has been exhibited internationally for over 25 years. He is a theorist, writer and advocate for screendance who has organized numerous symposia and conferences on the subject. He has directed and curated the International Festival of Screendance at the American Dance festival for 20 years.

Preface
Douglas Rosenberg

Introduction
Douglas Rosenberg

HISTORIES

Chapter 1: Dance with Camera: A Curator's POV
Jenelle Porter

Chapter 2: Loïe Fuller's Serpentines and Poetics of Self-abnegation in the Era of Electrotechnics
Izabella Pruska-Oldenhof

Chapter 3: Selective Histories: moving image from the late nineteenth century to the early twenty-first
Chirstinn Whyte

Chapter 4: Moto-bio-cine-event: Construction of Expressive Movement in Soviet Avant-garde Film
Ana Olenina

Chapter 5: Brazilian Videodance: A Possible Mapping
Leonel Brum
Translated by Cristiane Bouger

Chapter 6: Sensory Screens, Digitized Desires: Dancing Rasa from Bombay Cinema to Reality TV
Pallabi Chakravorty

Chapter 7: Exposed to Time: Cross-Histories of Human Motion Visualization from Chrono- to Dynamophotography
Nicolás Salazar-Sutil and Sebastián Melo

Chapter 8: In the Blink of an Eye: Norman McLaren Between Dance and Animation
Alanna Thain

Chapter 9: An Interdisciplinary Reading of the Film Entr'Acte
Claudia Kappenberg

Chapter 10: Light, Shadow, Screendance: Catherine Galasso's Bring on the Lumière!
Selby Wynn Schwartz

Chapter 11: The Best Dance Is the Way People Die in Movies (or Gestures Toward a New Definition of "Screendance")
Roger Copeland

THEORIES

Chapter 12: Kinesthetic Empathy: Conditions for Viewing
Karen Wood

Chapter 13: Virtualizing Dance
Kim Vincs

Chapter 14: Sound as Choreographic Object: A Perceptual Approach to the Integration of Sound in Screendance
Jürgen Simpson

Chapter 15: Screendance as Enactment in Maya Deren's At Land: Enactive, Embodied, and Neurocinematic Considerations
Pia Tikka and Mauri Kaipainen

Chapter 16: Corporeal Creations in Experimental Screendance: Resisting Socio-political Constructions of the Body
Sophie Walon

Chapter 17: Dancing in the City: Screens, Landscape, and Civic Phenomenology in the Screendance of Terrance Houle
Jessica Jacobson-Konefall

Chapter 18: Privileging Embodied Experience in Feminist Screendance?
Frances Hubbard

Chapter 19: Extending the Discourse of Screendance: Dance and New Media
Andrea Davidson

Chapter 20: Gadgets, Bodies, and Screens: Dance in Advertisements for New Technologies
Melissa Blanco Borelli

Chapter 21: Empire, Vision, and the Dancing Touch: Gendered Moving Arts on Postcolonial Indian Screens
Esha Niyogi De

Chapter 22: Behind the Screens: Race, Space, and Place in Saturday Night Fever
Sima Belmar

Chapter 23: Longing for Depth: The Frame of Screened Stages in the Screendance Spectacles of Busby Berkeley
Rachel Joseph

Chapter 24: Towards an Aesthetical Approach to Screendance
Susana Temperley
Translated by Silvina Szperling

PRACTICES

Chapter 25: Yvonne Rainer's Lives of Performers: an "undisciplined" encounter with the avant-garde
Erin Brannigan

Chapter 26: From Oakland Turfs to Harlem's Shake: Hood Dance on YouTube and Viral Antiblackness
Naomi Elizabeth Bragin

Chapter 27: The Virtual Body is Real! Phenomenological and Post-phenomenological Perspectives in Mediadance
Mirella Misi and Ludmila Pimental

Chapter 28: Interface: Jonah Bokaer & the Screen Inside
Michael Jay McClure

Chapter 29: Where is the Choreography? Who is the Choreographer? Alternate Approaches to Choreography through Editing
Priscilla Guy

Chapter 30: Real for Reel: Extending Corporeal Frontiers Through Screendance Editing
Marisa Hayes

Chapter 31: Scriptwriting Dance: The First Point of Integration for a Dance Screen Work
Tracie Mitchell

Chapter 32: Transcending Dimensions: Physical and Virtual Dancing Bodies
Sita Popat

Chapter 33: Can Rihanna Have Her Cake And Eat It Too?: A Schizophrenic Search for Resistance Within the Screened Spectacles of a Winin' Fatale
Adanna Jones

Chapter 34: A Rhizomatic Revolution?: Popular Dancing, YouTubing, and Exchange in Screendance
Naomi Jackson

Chapter 35: Resurrecting the Future: Body, Image, and Technology in the Work of Loïe Fuller
Ann Cooper Albright

Chapter 36: Bill Robinson and Shirley Temple Tap Past Jim Crow
Ann Murphy

Index