Musical Biographies

The Music of Memory in Post-1945 German Literature
Buch | Hardcover
VIII, 173 Seiten
2016
De Gruyter (Verlag)
978-3-11-045795-7 (ISBN)
104,95 inkl. MwSt
The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span all periods of German and German-speaking lands and cultures from the local to the global, with a special focus on demonstrating how various disciplines – history, musicology, art history, anthropology, religious studies, media studies, political theory, literary and cultural studies, among others – and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies broadly. All works are in English. Three to four new titles will be published annually.
The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. She received three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.

Michal Ben-Horin, Bar Ilan University , Ramat Gan, Israel and Beit Berl Academic College, Kfar Saba, Israel.

"[...] Ben-Horin deserves credit for attempting a rare and sustained exploration of how musical modes (opposed to exclusively visual or literary "modes") might figure into representations of the German past. One can only hope that this book prompts further efforts within German studies and its allied fields at expanding and embracing music as a serious and culturally vital object of literary inquiry."
Simon Trevor Walsh in: Biography vol. 41, no. 1, Winter 2018: 146-152

"[...] Ben-Horin's study is a welcome contribution to the intermedial exploration of cultural memory and music. [...] Ben-Horin's engaging study encourages us to continue to reflect on these possibilities and limitations that invariably shape the intriguing interaction between word and music."
Rolf J. Goebel in: Monatshefte, Vol. 109, No. 3, 2017, pp. 503-505

Erscheinungsdatum
Reihe/Serie Interdisciplinary German Cultural Studies ; 20
Verlagsort Berlin/Boston
Sprache englisch
Maße 155 x 230 mm
Gewicht 392 g
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Germanistik
Sozialwissenschaften
Schlagworte Erzählwissenschaft • German Culture • Holocaust • Holocaust / Shoah • Kultur / Deutschland • Musical Poetics • Musikalische Poetik • narrative
ISBN-10 3-11-045795-4 / 3110457954
ISBN-13 978-3-11-045795-7 / 9783110457957
Zustand Neuware
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