Walking the Line (eBook)

Country Music Lyricists and American Culture
eBook Download: EPUB
2013
282 Seiten
Lexington Books (Verlag)
978-0-7391-6968-1 (ISBN)

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Walking the Line: Country Music Lyricists and American Culture examines how country songwriters engage with their nation’s religion, literature, and politics. Walking the line requires following strict codes, respecting territories, and, sometimes, yearning to break those bonds. This collection’s essays explore how iconic country lyricists such as Johnny Cash, Dolly Parton, and Steve Earle have tested and expanded such boundaries, challenging musical, social, and political conventions, often reevaluating what “country” means in country music.
An insightful and wide-ranging look at one of America's most popular genres of music, Walking the Line: Country Music Lyricists and American Culture examines how country songwriters engage with their nation's religion, literature, and politics. Country fans have long encountered the concept of walking the line, from Johnny Cash's ';I Walk the Line' to Waylon Jennings's ';Only Daddy That'll Walk the Line.' Walking the line requires following strict codes, respecting territories, and, sometimes, recognizing that only the slightest boundary separates conflicting allegiances. However, even as the term acknowledges control, it suggests rebellion, the consideration of what lies on the other side of the line, and perhaps the desire to violate that code. For lyricists, the line presents a moment of expression, an opportunity to relate an idea, image, or emotion. These lines represent boundaries of their kind as well, but as the chapters in this volume indicate, some of the more successful country lyricists have tested and expanded the boundaries as they have challenged musical, social, and political conventions, often reevaluating what ';country' means in country music. From Jimmie Rodgers's redefinitions of democracy, to revisions of Southern Christianity by Hank Williams and Willie Nelson, to feminist retellings by Loretta Lynn and Dolly Parton to masculine reconstructions by Merle Haggard and Cindy Walker, to Steve Earle's reworking of American ideologies, this collection examines how country lyricists walk the line. In weighing the influence of the lyricists' accomplishments, the contributing authors walk the line in turn, exploring iconic country lyrics that have tested and expanded boundaries, challenged musical, social, and political conventions, and reevaluated what ';country' means in country music.

Thomas Alan Holmes is a professor of English who teaches American literature in the East Tennessee State University Department of Literature and Language; he also serves as associate dean of arts and sciences. Roxanne Harde is associate dean—research, an associate professor of English, and a McCalla University Professor at the University of Alberta—Augustana Faculty. She studies and teaches American literature and culture.

Table of ContentsAcknowledgmentsCreditsIntroductionWalking the Line: The Dixie Chicks and the Making of Country LyricistsThomas Alan HolmesRoxanne HardeChapter 1“Nobody knows but me”: Jimmie Rodgers and the Body PoliticTaylor HagoodChapter 2Cindy Walker, Lyle Lovett, and the WestThomas Alan HolmesChapter 3“Help your brother along the way”: Hank Williams and the Humane TraditionHoward Steve GoodsonChapter 4JC: Johnny Cash and FaithThomas Alan HolmesChapter 5Religious Doctrine in the mid-1970s to 1980s Country Music Concept Albums of Willie NelsonBlase S. ScarnatiChapter 6Grace to Catch a Falling Soul: Country, Gospel, and Evangelical Populism in the Music of Dottie RamboDouglas HarrisonChapter 7“Here’s the story of my life; listen and I’ll tell it twice”: The Appalachian Autobiography of Loretta LynnLaura Grace PattilloChapter 8“Branded” Man: Merle Haggard’s Romance of the OutlierThomas Alan HolmesChapter 9Townes van Zandt: “Now here’s what this story’s told.”Pete Falconer and James ZborowskiChapter 10Wildness, Eschatology, and Enclosure in the Songs of Townes Van ZandtMichael B. MacDonaldChapter 11“Where it counts I’m real”: The Complexities of Dolly Parton’s Feminist VoiceSamantha ChristensenChapter 12“Sin City”: Gram Parsons and the “Christ-Haunted South” Clay MotleyChapter 13Weeping Willows and Long Black Veils: The Country Roots of Rosanne Cash, from Scotland to TennesseeJune Skinner SawyersChapter 14“They draft the white trash first ‘round here anyway”: Steve Earle’s American BoysRoxanne HardeIndexAbout the Contributors

Erscheint lt. Verlag 9.10.2013
Co-Autor Samantha Christensen, Blase Scarnati, James Zborowski, Pete Falconer, Howard Steve Goodson, Taylor Hagood, Douglas Harrison, Michael MacDonald, Clay Motley, Laura Pattillo, June Skinner Sawyers
Sprache englisch
Themenwelt Kunst / Musik / Theater Musik
Sozialwissenschaften
Schlagworte Cultural Studies
ISBN-10 0-7391-6968-8 / 0739169688
ISBN-13 978-0-7391-6968-1 / 9780739169681
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