Boring Formless Nonsense
Bloomsbury Academic USA (Verlag)
978-1-4411-2213-1 (ISBN)
eldritch Priest is a composer, writer and co-artistic director of the experimental music collective Neither/Nor. He completed his PhD at the Institute for Studies in Literature, Art and Culture at Carleton University where he pursued research in the fields of the avant-garde, phenomenology, and philosophies of experience. eldritch was also a visiting researcher at Cornell University's Society for the Humanities where he studied with senior scholar in residence, Brian Massumi. eldritch's essays on musical aesthetics and avant-garde poetics have appeared in various academic journals including Postmodern Culture, Radical Musicology and Mosaic: a journal for the interdisciplinary study of literature. In addition to his academic work, eldritch is active as acomposer whose works have been performed across North America and Europe.
Introduction One: BoringIntroductionA boring historyCage, Fluxus and Extendedness in the 1960s and 70sThe Aesthetics of Boredom and the Art of WaitingThe Premises/Promises of Aesthetic BoredomA Less Promising BoredomUglier Feelings of the StuplimePost...Death...Afterthought... Two: Formless Pretext(Informe)How to read this chapterStoryBecoming FormlessMusic NoiseRecording Distraction---MultitaskingCapture and EscapeLull ))) ))) )))Listening to SoS#16's Lull )))))(((((Listening Away)))))Muzak's Way of Dreaming Ubiquitously ))))---Notes on Muzak---Quantum ModulationWe don't (((listen))) anymoreThe (((Sound))) of HabitsSound-Effects))))) Charm and DissatisfactionLast)))))Another Again Three: Nonsense (Voodoo(Metareferentiality, Metamusic and Hypermusic(Grúpat and Pseudonymity(Symptoms, Syndromes and Hyperfiction(In a Sedimental Mood(Hyperstition, Magick and Nonsense(Becoming Karen et al, a Real-Time Hyperstition as of March 30, 2007 ByKaren Eliotiv(Of Lies(What does music feel like? (or, 'on the refrain of pain and imagining'):Discursive Remainders from glossolalia (stress positions) by EngramKnots(glossolalia (stress positions)(Occult dualism(Illustrative Interlude: Practicing(The sleep side of music and dream-work)))))))))))))Inconclusion/This chapter is false("Disclaimer") Four: Confabulation BibliographyIndex
Erscheint lt. Verlag | 14.3.2013 |
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Zusatzinfo | 20 |
Verlagsort | New York |
Sprache | englisch |
Maße | 138 x 216 mm |
Gewicht | 390 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Geisteswissenschaften ► Philosophie | |
Sozialwissenschaften | |
ISBN-10 | 1-4411-2213-3 / 1441122133 |
ISBN-13 | 978-1-4411-2213-1 / 9781441122131 |
Zustand | Neuware |
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