Dance Legacies of Scotland

Mats Melin is a lecturer at University of Limerick, Ireland. He has worked and performed extensively in Angus, Sutherland, the Scottish Highlands, the Hebrides, Orkney, and Shetland, promoting Scottish traditional dance in schools and communities. Jennifer Schoonover is a dancer and choreographer. She teaches movement principles, improvisation, dance pedagogy, and dance modalities including Cape Breton Step, Ceilidh, Highland, and Scottish Country dancing.

Introduction, 1. ‘I wish I had it in my power to describe to you’: introductory observations on Step dance and its place in Scotland, 2. From regional variations to standardisation of vernacular dance, 3. Na brògan dannsaidh/The dancing shoes: foot anatomy, footwear, and body posture, 4. Gaelic references and continental European connections, 5. From Hornpipes to High Dances: historical terms and overlapping usage, 6. Hyland step forward: eighteenth-century accounts, 7. A few more flings and shuffles: nineteenth-century accounts, 1800–1839, 8. Aberdeenshire to the Hebrides: nineteenth-century accounts, 1840–1899, 9. Breakdown: twentieth-century accounts, 10. An t-Seann Dùthaich: dancing in the Scottish diaspora, 11. First-hand Step dance encounters and recollections in Scotland from the 1980s to 2016 collected by Mats Melin, 12. Weaving the steps to the music, 13. Echoes and reflections