Collaborative Intimacies in Music and Dance -

Collaborative Intimacies in Music and Dance

Anthropologies of Sound and Movement
Buch | Softcover
282 Seiten
2020
Berghahn Books (Verlag)
978-1-78920-838-2 (ISBN)
44,10 inkl. MwSt
Across varied domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collaborative dimension of sound and movement in everyday life...
Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.

Evangelos Chrysagis holds a PhD in social anthropology from the University of Edinburgh. His doctoral research explored the intersection of ‘Do-it-Yourself’ (DiY) music practices and ethics in Glasgow. His articles have appeared in the Journal of Cultural Economy and Visual Culture in Britain. Evangelos serves as associate editor of the open-access journal Arts & International Affairs, and his current research focuses on manifestos in contemporary cultural production.

Preface



Introduction: Collaborative Intimacies

Evangelos Chrysagis and Panas Karampampas



PART I: SOUND, MEANING AND SELF-AWARENESS



Chapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and Shakuhachi

Tamara Kohn and Richard Chenhall



Chapter 2. Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London

Yuki Imoto



PART II: PEDAGOGIES OF BODILY MOVEMENT



Chapter 3. Kinaesthetic Intimacy in a Choreographic Practice

Brenda Farnell and Robert N. Wood



Chapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman

Bethany Whiteside



PART III: MUSIC PRACTICES AND ETHICAL SELFHOOD



Chapter 5. The Animador as Ethical Mediator:  Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles

James Butterworth



Chapter 6. A Sense of Togetherness: Music Promotion and Ethics in Glasgow

Evangelos Chrysagis



PART IV: BODIES DANCING IN TIME AND ACROSS SPACE



Chapter 7. Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience

Ruxandra Ana



Chapter 8. Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’: Exploring Dance in Korydallos, Attica, Greece

Mimina Pateraki



PART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDS



Chapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth Scene

Panas Karampampas



Chapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)

Borut Telban



Index

Erscheinungsdatum
Reihe/Serie Dance and Performance Studies
Verlagsort Oxford
Sprache englisch
Themenwelt Kunst / Musik / Theater Musik
Kunst / Musik / Theater Theater / Ballett
Sachbuch/Ratgeber Sport Tanzen / Tanzsport
Sozialwissenschaften Ethnologie
Sozialwissenschaften Soziologie
ISBN-10 1-78920-838-6 / 1789208386
ISBN-13 978-1-78920-838-2 / 9781789208382
Zustand Neuware
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