Transatlantic Malagueñas and Zapateados in Music, Song and Dance

K. Meira Goldberg teaches at Fashion Institute of Technology and is Scholar-in-Residence at the Foundation for Iberian Music at the CUNY Grad Center. She co-edited Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives (2015) and The Global Reach of the Fandango in Music, Song and Dance: Spaniards, Indians, Africans and Gypsies (2016), and authored Sonidos Negros: On the Blackness of Flamenco (2019). Walter Aaron Clark is Distinguished Professor of Musicology at the University of California, USA, where he directs the Center for Iberian and Latin American Music. He has authored Isaac Albéniz: Portrait of a Romantic (1999), Enrique Granados: Poet of the Piano (2006), and Los Romeros: Royal Family of the Spanish Guitar (2018).Antoni Pizà has taught Music History at Hofstra University, the City College, John Jay College of the City University of New York (all in the USA), and the Conservatory of Music and Dance in Palma de Mallorca, Spain. He is currently the Director of the Foundation for Iberian Music at the Barry S. Brook Center for Music Research and Documentation of the Graduate Center, USA. He has authored and co-edited numerous books in English, Spanish and Catalan.