The Performer-Audience Connection
University of Texas Press (Verlag)
978-0-292-76480-4 (ISBN)
The Performer-Audience Connection is a pioneering foray into one of the major puzzles of human communication: the communication of emotion in dance. It is the first attempt of its kind systematically to investigate what performers wish to convey and what audiences perceive in the performance of dance.
The centerpiece of this provocative book is an examination of performer intentions and audience response at eight dance performances in Washington, D.C. Part of the Smithsonian Institution Division of Performing Arts Dance Series, these concerts featured a variety of dance genres and cultures: American tap dance, Kathakali dance-drama from Kerala, India, Japanese Kabuki, contemporary avant-garde dance, Philippine folk dance, the Indian classical tradition of Kuchipudi, and modern dance to an AfroAmerican spiritual.
How did dancer and audience interact at the emotional level on these eight occasions? What affected performer-audience rapport? Through interviews of both spectators and dancers, Judith Lynne Hanna explores the performers' ways of imparting emotion through movement and audience members' expectations and responses. In doing so she casts new light on important issues of cultural identity, sex role, historic attitudes toward dance, and even marketing the arts today.
A landmark work not only for performers who wish to reach their audiences more effectively but also for choreographers, anthropologists, specialists in nonverbal communication, behavioral scientists, educators, and all who are fascinated by the arts and the special magic of the "performer-audience connection."
A leading dance scholar and critic, Judith Lynne Hanna is Affiliate Senior Research Scientist in the Department of Anthropology at the University of Maryland. She has written hundreds of articles and numerous books
Acknowledgments
Backstage
1. Introduction
2. First Steps: Feeling through the Ages
Onstage
3. Hoofing to Freedom with Soul and Sole: Briggs, Sims, and Green
4. Touched by the Timeless Female Creator and Destroyer: Indrani Dances Kuchipudi
5. Resurrecting a Tamiris Spiritual: Repertory Dance Theatre of Utah
6. Symbiosis and Short-Circuit in the Avant-Garde: Douglas Dunn
7. Men Usurp Women's Public Kabuki: Sachiyo Ito Renews Women's Performance
8. Shifting Illusions-Does the Emperor Wear Clothes? Sage Cowles and Molly Davies
9. Cultural Cross-Currents and Creative Identity: The Philippine Dance Company of New York
10. Good versus Evil: Kathakali Dance-Drama from the Kerala Kalamandalam
11. Curtain and Concert Comparisons: Summing Up
Postscript
12. The Punch of Performance: Re-Creation
Appendix. Some Conceptual and Methodological Issues
Notes
References
Index
Verlagsort | Austin, TX |
---|---|
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 454 g |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-292-76480-4 / 0292764804 |
ISBN-13 | 978-0-292-76480-4 / 9780292764804 |
Zustand | Neuware |
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