Distance, Theatre, and the Public Voice, 1750–1850
Seiten
2012
|
1st ed. 2012
Palgrave Macmillan (Verlag)
978-1-349-45080-0 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-45080-0 (ISBN)
As theatres expanded in the eighteenth and nineteenth centuries, the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience.
Melynda Nuss is an associate professor in the Department of English at the University of Texas-Pan American, USA.
Introduction: Impossible Theaters 1. Pantomime: Killing the Drama in Order to Save It 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald 3. Man Seeing: Wordsworth and the Theatrical Voice 4. 'The Great Master Of Ideal Mimicry": Shelley´s Struggle With The Actor 5. Creative Spectacle: Hunt, Hazlitt, De Quincey Conclusion: Reaching a Mass Audience Face to Face
| Erscheinungsdatum | 12.08.2016 |
|---|---|
| Zusatzinfo | X, 197 p. |
| Verlagsort | Basingstoke |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Schlagworte | Drama • Percy Bysshe Shelley • stage • Theatre • William Wordsworth |
| ISBN-10 | 1-349-45080-4 / 1349450804 |
| ISBN-13 | 978-1-349-45080-0 / 9781349450800 |
| Zustand | Neuware |
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