Avant-Garde Theatre Sound

Staging Sonic Modernity

A. Curtin (Autor)

Buch | Softcover

260 Seiten

2014 | 1st ed. 2014
Palgrave Macmillan (Verlag)
978-1-349-45906-3 (ISBN)

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Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.

Adrian Curtin is Lecturer in the Drama department at the University of Exeter, UK.

Introduction: The Sound of No Hands Clapping 1. The Acoustic Imaginary 2. Theatre Sound in the Age of Mechanical Reproduction 3. Reinventing Language: Sense and Nonsense 4. Hearing Affectively: The Noise of Avant-Garde Performance Conclusion: A Resounding.

Erscheinungsdatum	11.08.2016
Reihe/Serie	Avant-Gardes in Performance
Zusatzinfo	12 Illustrations, black and white; XIV, 260 p. 12 illus.
Verlagsort	Basingstoke
Sprache	englisch
Maße	140 x 216 mm
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Kunst / Musik / Theater ► Theater / Ballett
	Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport
	Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte
ISBN-10	1-349-45906-2 / 1349459062
ISBN-13	978-1-349-45906-3 / 9781349459063
Zustand	Neuware