TELEPATHY - The Theory, the Facts & the Proof (eBook)

From the American pioneer of the New Thought movement, known for Thought Vibration, The Secret of Success, The Arcane Teachings & Reincarnation and the Law of Karma
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2016 | 1. Auflage
94 Seiten
e-artnow (Verlag)
978-80-268-4879-0 (ISBN)

Lese- und Medienproben

TELEPATHY - The Theory, the Facts & the Proof -  William Walker Atkinson
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This carefully crafted ebook: 'TELEPATHY - The Theory, the Facts & the Proof' is formatted for your eReader with a functional and detailed table of contents. Extract: 'Many persons who are interested in the phenomena of Telepathy, and who accept the proofs offered by its advocates, seem to regard these phenomena as quite ordinary and as fully in accord with the more familiar manifestations of Nature's forces. We frequently hear Telepathy compared to the manifestation of electricity, particularly in the phase of wireless telegraphy. But the matter is not so simple as this-it cannot be lightly dismissed or placed in any ordinary category. It is, scientifically, sui generis-in a class by itself; unique; peculiar. While we shall not attempt to put forward any special hypothesis at this point, we invite you to consider the following statement from the lips of an eminent English statesman, himself an earnest investigator of Telepathy. After reading his statement, you will begin to appreciate the full nature of the problem confronting those who, while admitting the proofs of Telepathy, would seek to account for the same by scientific principles.' William Walker Atkinson (1862-1932) was a prolific writer. His works treat themes related to the mental world, occultism, divination, psychic reality, and mankind's nature. They constitute a basis for what Atkinson called 'New Psychology' or 'New Thought'.

CHAPTER III
EXPERIMENTAL TELEPATHY


BEGINNING WITH the year 1882, and continuing for several years thereafter, the English Society for Psychical Research conducted an important series of experiments in Telepathy, the records of which have been preserved in the several reports of the Society which are on file in the principal libraries of the world. In the "Glossary of Terms used in Psychical Research" by the Society, we find Telepathy defined as "the communication of impressions of any kind from one mind to another, independently of the recognized channels of sense."

In 1882, the President of the Society, Prof. Henry Sidgwick, appointed a committee to "investigate Thought-Reading or Thought-Transference," the members of the committee being Prof. W. F. Barrett, Professor of Physics in the Royal College of Science for Ireland; Edmund Gurney, M. A., Late Fellow of Trinity College; and F. W. H. Myers, M. A., Late Fellow of Trinity College, Cambridge. The purpose of the inquiry by the committee was stated as follows: "Is there or is there not any existing or attainable evidence that can stand fair physiological criticism, to support a belief that a vivid impression or a distinct idea in one mind can be communicated to another mind without the intervening help of the recognized organs of sensation? And if such evidence be found, is the impression derived from a rare or partially developed and hitherto unrecognized sensory organ, or has the mental percept been evoked directly without any antecedent sense-percept?"

The committee classified the phenomena of Thought-Transference as follows:

I. Phenomena manifested, in which the hands of the operator are in contact with the subject.

II. Phenomena manifested without contact with the person willing or sending the thought-impulse.

III. Phenomena manifested, in which some number, word or card is guessed without any apparent physical communication between the operator and subject.

In the first class of phenomena the committee places the ordinary "mind reading" of the public performer, in which the operator places his hands upon the subject, or in which he is placed in some kind of physical contact with the latter. It has been held that this class of phenomena really comes under the head of "muscle reading," inasmuch as there is transmitted to the subject some slight muscular impulse, often given involuntarily and unconsciously by the operator. This theory was first advanced by Dr. W. B. Carpenter, the distinguished English psychologist, who held that "the communications are made by muscular action on the part of one person and automatically interpreted by the other." Dr. Carpenter explained this involuntary muscular action by his celebrated theory of "unconscious cerebration," in which there is "the intermediation of those expressional signs which are made and interpreted alike unconsciously." The familiar "willing game" so often performed for parlor amusement belongs to this category, as do also the performances of many of the celebrated public "mind readers." The committee conducted numerous series of careful experiments with phenomena of this class, and, while the results were very interesting, it was felt that the constantly present possibility of "unconscious muscular movement" rendered the phenomena unsatisfactory from the scientific standpoint.

The second class of phenomena came more nearly under the true classification of Telepathy, for if there be communication without physical contact it is reasonable to assume that some new hypothesis is necessary. If the subject was able to select and proceed to some object previously agreed upon by the operator or the roomful of people, in the "willing game," without knowing the object and without physical contact with any person knowing it, then it would seem that there must be some transmission of thought images "without the intervening help of the recognized organs of sensation." But so careful were the members of the committee, and so closely did they adhere to the strictest scientific methods, that they discarded this class of phenomena as unsatisfactory and unconvincing, and as open to the suspicion that the subject may have received involuntary guidance from the eyes of the company, or perhaps from the different shades of tone in the conversation as the subject approached or receded from the selected object to be found. Even though the subject might be blindfolded, it was possible for impressions to be received through the sense of sight.

The writer remembers an instance in which, in his opinion, a well-known "mind-reader" visiting in this country received impressions through her sense of hearing, although carefully blindfolded. The following quotations are from the account written by him at the time, and give an idea of the modus operandi (the name of the performer is omitted here, although appearing in the original publication of the account) :

"The room was well filled with intelligent people, eager for an exhibition of the wondrous phenomenon of telepathy. Miss —— appeared and delivered a short address upon her wondrous power…. She then placed two long-stemmed flowers on the platform, and was led away into another room to be blindfolded. During her absence two persons stepped up to the platform, as per instructions, and each touched a flower. Miss —— was then led back into the room, blindfolded with a silk handkerchief, and started in to find the persons who had touched the flowers. She succeeded and handed each the flower previously touched. She then 'united a separated couple,' by finding one and leading him to the other. She then located the weapon with which an imaginary murder had been committed, the murderer, the hidden body, and (wonder upon wonders) even found the policeman to arrest the criminal. She found a piece of jewelry and restored it to the owner. She correctly disclosed the number of a bank-note. The audience was pleased and many went away apparently convinced that here was telepathy that telepathed. It does look wonderful—now, doesn't it? We have given you an idea of how it seemed to the general observer, now let us tell you how it appeared to those who were 'on the inside.'

"In the first place, Miss —— was a much cleverer performer than the average 'mind-reader.' She performed her feats with much less 'personal contact' than any other public performer whom we have seen. She went about her work without loss of time and with an air of confidence and assurance which created a good effect. It appeared to us, however, that her feats could be fully accounted for upon the theory of the use of the five senses, sharpened by practice, and that any of the feats could be duplicated by one familiar with the subject, without the aid of telepathy.' Of course, Miss —— may have performed her feats by 'mind reading' nobody but herself can speak positively on that point,—but we say that the same feats can be performed by the use of the five senses alone. In the first place, the ordinary blindfolding does not shut out the senses of sight and hearing, as you may ascertain by a little personal practice. Then the sense of feeling is free for one's use, and when it is remembered that 'thought takes form in action,' and that the average person will give unconscious movements in the direction of the object or person thought of, it readily will be seen that a performer who has developed touch and perception to a high degree will be able to find a person or thing upon which a number of people are concentrating their thoughts, without being compelled to fall back upon telepathy. This is quite simple when contact is had with the audience, but more difficult when contact is not resorted to. In Miss ——'s flower feat, it was noticed that the entire audience was looking intently in the direction of that one of the 'thought of' persons who happened to be the nearer to her. Many people in the room were whispering, but as she approached the desired person the whispering decreased until almost a perfect silence prevailed when the proper person was reached. Miss —— placed her hands upon a number of persons before reaching the proper one, but as soon as she placed her hands on the right one the audience applauded loudly, and the search ended. It was noticed that some of the ladies present were so carried away with sympathy and enthusiasm that, unconsciously, they would whisper, 'No. no!' 'Yes, that's right!' 'This way, this way!' 'To the right, right!' etc, etc., and by other involuntary exclamations and motions give cues which could be taken advantage of by a performer depending upon the use of her sharpened senses. In short, it was an up-to-date variation of the old game of 'hot and cold,' familiar to our childhood days.

"You all know how expert some of your crowd of boys and girls became in this game, and how soon the hidden object was found by the aid of the 'hot and cold' suggestions. You all remember how some sympathetic and enthusiastic little girl would become so excited that when you neared the hidden object she could scarcely keep her seat, and her 'hot, hot, HOT!' fairly sent you spinning toward the hidden handkerchief. We well remember our own childhood days, when this was our own favorite game, and when we were the champion lightweight 'hot and cold' finder of our juvenile set. And we remember, oh, how well we remember, that little fairfaced girl with the long golden curls and that sweet little trick of demurely lifting her big blue eyes to meet our own boyish gaze. We well remember how our youthful heart would beat when those eyes of blue would—but that's another story. What we wished to say was that that little girl was our mascot in...

Erscheint lt. Verlag 22.1.2016
Verlagsort Prague
Sprache englisch
Themenwelt Sachbuch/Ratgeber Gesundheit / Leben / Psychologie Esoterik / Spiritualität
Sachbuch/Ratgeber Gesundheit / Leben / Psychologie Östliche Weisheit / Alte Kulturen
Geisteswissenschaften
Schlagworte Henry Harrison Brown • James Allen • M. W. Kapp • Ralph Waldo Emerson • Rhonda Byrne • the gifts of imperfection • The Power of Now • The Secret • Wallace D. Wattles • Your Forces and How to Use them
ISBN-10 80-268-4879-9 / 8026848799
ISBN-13 978-80-268-4879-0 / 9788026848790
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