A Strange Proximity
Stage Presence, Failure, and the Ethics of Attention
Seiten
2016
Routledge (Verlag)
978-1-138-90777-5 (ISBN)
Routledge (Verlag)
978-1-138-90777-5 (ISBN)
A Strange Proximity examines stage presence as key to thinking about performance and ethics. It is the first phenomenological account generated from, rather than applied to, performance. Jon Foley Sherman presents a unique perspective on the implications of attention in performance.
What happens in the relationship between audience and performer? What
choices are made in the space of performance about how we attend to
others?
A Strange Proximity examines stage presence as key to thinking about
performance and ethics. It is the first phenomenological account of ethics
generated from, rather than applied to, contemporary theatrical productions.
The ethical possibilities of the stage, argues Jon Foley Sherman, rest not
so much in its objects—the performers and the show itself—as in the “how”
of attending to others. A Strange Proximity is a unique perspective on the
implications of attention in performance.
What happens in the relationship between audience and performer? What
choices are made in the space of performance about how we attend to
others?
A Strange Proximity examines stage presence as key to thinking about
performance and ethics. It is the first phenomenological account of ethics
generated from, rather than applied to, contemporary theatrical productions.
The ethical possibilities of the stage, argues Jon Foley Sherman, rest not
so much in its objects—the performers and the show itself—as in the “how”
of attending to others. A Strange Proximity is a unique perspective on the
implications of attention in performance.
Jon Foley Sherman is a teacher, scholar, performer, and director. He is co-editor of Performance and Phenomenology (Routledge 2015), and his articles have apeared in Performance Research, New Theatre Quarterly, and Theatre Topics. An award-winning actor and deviser, he has performed in Chicago, New York, Switzerland, and Washington, DC.
Preface
1. May I Have Your Attention
2. Mimicry and the Urgency of Differences
3. A Unique Phenomenon of Distance
4. Disorienting
5. The Ground of Ethical Failure
Erscheinungsdatum | 12.07.2016 |
---|---|
Zusatzinfo | 7 Halftones, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 294 g |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
Geisteswissenschaften ► Philosophie | |
ISBN-10 | 1-138-90777-4 / 1138907774 |
ISBN-13 | 978-1-138-90777-5 / 9781138907775 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Das Lehrbuch für den klassischen Tanz. (Band I) Ausbildungsjahre 1 …
Buch | Hardcover (2022)
Henschel Verlag in E.A. Seemann Henschel GmbH & Co. KG
45,00 €