Dancing Tango
Passionate Encounters in a Globalizing World
Seiten
2015
New York University Press (Verlag)
978-0-8147-6071-0 (ISBN)
New York University Press (Verlag)
978-0-8147-6071-0 (ISBN)
Argentinean tango is a global phenomenon. Through interviews and ethnographical research in Amsterdam and Buenos Aires, this book shows why a dance from another era and another place appeals to men and women from different parts of the world and what happens to them as they become caught up in the tango salon culture.
Argentinean tango is a global phenomenon. Since its origin among immigrants from the slums of Buenos Aires and Montevideo, it has crossed and re-crossed many borders.Yet, never before has tango been danced by so many people and in so many different places as today. Argentinean tango is more than a specific music and style of dancing. It is also a cultural imaginary which embodies intense passion, hyper-heterosexuality, and dangerous exoticism.
In the wake of its latest revival, tango has become both a cultural symbol of Argentinean national identity and a transnational cultural space in which a modest, yet growing number of dancers from different parts of the globe meet on the dance floor.
Through interviews and ethnographical research in Amsterdam and Buenos Aires, Kathy Davis shows why a dance from another era and another place appeals to men and women from different parts of the world and what happens to them as they become caught up in the tango salon culture. She shows how they negotiate the ambivalences, contradictions, and hierarchies of gender, sexuality, and global relations of power between North and South in
which Argentinean tango is—and has always been—embroiled.
Davis also explores her uneasiness about her own passion for a dance which—when seen through the lens of contemporary critical feminist and postcolonial theories—seems, at best, odd, and, at worst, disreputable and even a bit shameful. She uses the disjuncture between the incorrect pleasures and complicated politics of dancing tango as a resource for exploring the workings of passion as experience, as performance, and as cultural discourse. She concludes that dancing tango should be viewed less as a love/hate embrace with colonial overtones than a passionate encounter across many different borders between dancers who share a desire for difference and a taste of the ‘elsewhere.’ Dancing Tango is a vivid, intriguing account of an important global cultural phenomenon.
Argentinean tango is a global phenomenon. Since its origin among immigrants from the slums of Buenos Aires and Montevideo, it has crossed and re-crossed many borders.Yet, never before has tango been danced by so many people and in so many different places as today. Argentinean tango is more than a specific music and style of dancing. It is also a cultural imaginary which embodies intense passion, hyper-heterosexuality, and dangerous exoticism.
In the wake of its latest revival, tango has become both a cultural symbol of Argentinean national identity and a transnational cultural space in which a modest, yet growing number of dancers from different parts of the globe meet on the dance floor.
Through interviews and ethnographical research in Amsterdam and Buenos Aires, Kathy Davis shows why a dance from another era and another place appeals to men and women from different parts of the world and what happens to them as they become caught up in the tango salon culture. She shows how they negotiate the ambivalences, contradictions, and hierarchies of gender, sexuality, and global relations of power between North and South in
which Argentinean tango is—and has always been—embroiled.
Davis also explores her uneasiness about her own passion for a dance which—when seen through the lens of contemporary critical feminist and postcolonial theories—seems, at best, odd, and, at worst, disreputable and even a bit shameful. She uses the disjuncture between the incorrect pleasures and complicated politics of dancing tango as a resource for exploring the workings of passion as experience, as performance, and as cultural discourse. She concludes that dancing tango should be viewed less as a love/hate embrace with colonial overtones than a passionate encounter across many different borders between dancers who share a desire for difference and a taste of the ‘elsewhere.’ Dancing Tango is a vivid, intriguing account of an important global cultural phenomenon.
Kathy Davis is Senior Research Fellow in the Sociology Department of the VU University in Amsterdam in the Netherlands. She is the author of numerous books, including The Making of Our Bodies, Ourselves: How Feminism Travels Across Borders.
Contents Acknowledgments ix Introduction 1 1.Salon Cultures 19 2. Tango Passion 48 3. Tango Trajectories 74 4. Performing Femininity, Performing Masculinity 100 5. Queering Tango 127 6. Transnational Encounters 155 Epilogue: Should a Feminist Dance Tango? 183 Notes 193 References 209 Index 219 About the Author 225
Erscheint lt. Verlag | 2.1.2015 |
---|---|
Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 363 g |
Themenwelt | Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
ISBN-10 | 0-8147-6071-6 / 0814760716 |
ISBN-13 | 978-0-8147-6071-0 / 9780814760710 |
Zustand | Neuware |
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