A Choreographer's Handbook
Routledge (Verlag)
978-0-415-55530-2 (ISBN)
On choreography: "Choreography is a negotiation with the patterns your body is thinking"
On rules: "Try breaking the rules on a need to break the rules basis"
A Choreographer’s Handbook invites the reader to investigate how and why to make a dance performance. In an inspiring and unusually empowering sequence of stories, ideas and paradoxes, internationally renowned dancer, choreographer and teacher Jonathan Burrows explains how it’s possible to navigate a course through this complex process.
It is a stunning reflection on a personal practice and professional journey, and draws upon five years’ of workshop discussions, led by Burrows.
Burrows’ open and honest prose gives the reader access to a range of exercises, meditations, principles and ideas on choreography that allow artists and dance-makers to find their own aesthetic process.
It is a book for anyone interested in making performance, at whatever level and in whichever style.
Jonathan Burrows is a choreographer whose main focus is an ongoing body of pieces with the composer Matteo Fargion, with whom he continues to perform around the world. The two men are co-produced by BIT Teatergarasjen Bergen, PACT Zollverein Essen and Sadler's Wells Theatre London. Burrows is currently a Senior Research Fellow at the Centre for Dance Research, Coventry University. His ‘A Choreographer's Handbook’ has sold over 15,000 copies since its publication in 2010.
Preface Dancing / Principles Material Habits Repetition Repetition Repetition Improvisation / Cut and paste / Choreography Form Exploration / Risk Subject / Inspiration / Stealing / Familiar movement / Referencing other sources/ Choreography / Self-expression Contract / Performance space / Language / Choreography Breaking The Rules Research / How and what? / Dramaturgy / Theory / Curiosity Interview / Unfinished business / Questions / Principles Financial limitations / Studios / Funding Applications Preparation / Rehearsal schedule / Heaviness Collaboration / Audience Originality / Paradox Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling Virtuosity Hoarding / Beginnings Endings Keeping it going / Pacing Dub reggae / Rate of change / Simple material / Desperation Stillness and silence / Fear of being boring Minimal and maximal Does it work? / Showings / Mentoring Other bodies / States Distracting the self / Paradox / Choreography / Performance / Electric guitars Predictable and unpredictable / Expectation Narrative / Ballet / Continuity Continuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation Relation / Solos, duos, trios, quartets / Ideas Relation / Time / Rhythm Time Abstract dance Counterpoint / Formal elements / Difference Scores / Studios / Improvisation Chance / Empty hands / Gamut of movements / Limitations / Laborious work Place or space? Audience / Facing the front / Confrontation / Humour / Failure Audience Performance / Principles The marketplace / Earning a living / Administrating the work / Commissions Music / Collaboration / Silence Text Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity Titles Filming / History / Collaboration / Mirrors / Human-scale Hierarchies / Who owns what? / Dancer or choreographer? / In it or out of it? How can I simplify all of this? Forget all this Bibliography Thanks Biography of the author Index
Erscheint lt. Verlag | 14.5.2010 |
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Verlagsort | London |
Sprache | englisch |
Maße | 129 x 198 mm |
Gewicht | 254 g |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
ISBN-10 | 0-415-55530-2 / 0415555302 |
ISBN-13 | 978-0-415-55530-2 / 9780415555302 |
Zustand | Neuware |
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