The Day the Dancers Stayed
Performing in the Filipino/American Diaspora
Seiten
2009
Temple University Press,U.S. (Verlag)
978-1-59213-729-9 (ISBN)
Temple University Press,U.S. (Verlag)
978-1-59213-729-9 (ISBN)
Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. This title uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification.
Theodore S. Gonzalves is Associate Professor of American Studies at the University of Hawai`i at Manoa.
Acknowledgments
Prologue
Introduction
1. The Art of the State: Inventing Philippine Folkloric Forms (Manila, 1934)
2. “Take It from the People”: Dancing Diplomats and Cultural Authenticity (Brussels, 1958)
3. Dancing into Oblivion: The Pilipino Cultural Night (Los Angeles, 1983)
4. Repetitive Motion: The Mechanics of Reverse Exile (San Francisco, 1993)
5. Making a Mockery of Everything We Hold True and Dear: Exploring Parody with Tongue in a Mood’s PCN Salute (San Francisco, 1997)
Conclusion
Epilogue: Memoria
Notes
Bibliography
Index
| Verlagsort | Philadelphia PA |
|---|---|
| Sprache | englisch |
| Maße | 140 x 210 mm |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-59213-729-6 / 1592137296 |
| ISBN-13 | 978-1-59213-729-9 / 9781592137299 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
