Hamlet (eBook)
861 Seiten
Seltzer Books (Verlag)
978-1-4554-2633-1 (ISBN)
Bilinlgual, English and German. The Shakespeare tragedy, in English with line numbers, and translated by German by Christoph Martin Wieland. According to Wikipedia: 'The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness - from overwhelming grief to seething rage - and explores themes of treachery, revenge, incest, and moral corruption.
Bilinlgual, English and German. The Shakespeare tragedy, in English with line numbers, and translated by German by Christoph Martin Wieland. According to Wikipedia: "e;The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness - from overwhelming grief to seething rage - and explores themes of treachery, revenge, incest, and moral corruption.Bilinlual, Englisch und Deutsch. Die Shakespeare-Tragdie, auf Englisch mit Zeilennummern, und von Christoph Martin Wieland bersetzt. Laut Wikipedia: "e;Die Tragdie von Hamlet, Prinz von Dnemark ist eine Tragdie von William Shakespeare. Im Knigreich Dnemark dramatisiert das Stck die Rache, die Prinz Hamlet an seinen Onkel Claudius wegen Mordes an Knig Hamlet, Claudius 'Bruder und Prinz Hamlets Vater richtet Danach tritt er als Thronfolger in Erscheinung und nimmt Gertrude, die Witwe des alten Knigs und die Mutter von Prinz Hamlet, mit, die den wahren und vorgetuschten Wahnsinn - von berwltigender Trauer bis zu brodelndem Zorn - anschaulich darstellt und Themen wie Verrat, Rache, Inzest, und moralische Korruption.
[Enter HAMLET and Players]
(1) HAMLET Speak the speech, I pray you, as I pronounced it to
you, trippingly on the tongue: but if you mouth it,
as many of your players do, I had as lief the
town-crier spoke my lines. Nor do not saw the air
too much with your hand, thus, but use all gently;
for in the very torrent, tempest, and, as I may say,
the whirlwind of passion, you must acquire and beget
a temperance that may give it smoothness. O, it
offends me to the soul to hear a robustious
(10) periwig-pated fellow tear a passion to tatters, to
very rags, to split the ears of the groundlings, who
for the most part are capable of nothing but
inexplicable dumbshows and noise: I would have such
a fellow whipped for o'erdoing Termagant; it
out-herods Herod: pray you, avoid it.
FIRST PLAYER I warrant your honour.
HAMLET Be not too tame neither, but let your own discretion
be your tutor: suit the action to the word, the
word to the action; with this special o'erstep not
the modesty of nature: for any thing so overdone is
(20) from the purpose of playing, whose end, both at the
first and now, was and is, to hold, as 'twere, the
mirror up to nature; to show virtue her own feature,
scorn her own image, and the very age and body of
the time his form and pressure. Now this overdone,
or come tardy off, though it make the unskilful
laugh, cannot but make the judicious grieve; the
censure of the which one must in your allowance
o'erweigh a whole theatre of others. O, there be
players that I have seen play, and heard others
(30) praise, and that highly, not to speak it profanely,
that, neither having the accent of Christians nor
the gait of Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of
nature's journeymen had made men and not made them
well, they imitated humanity so abominably.
FIRST PLAYER I hope we have reformed that indifferently with us,
sir.
HAMLET O, reform it altogether. And let those that play
your clowns speak no more than is set down for them;
for there be of them that will themselves laugh, to set on
(40) some quantity of barren spectators to laugh too; though,
in the mean time, some necessary question of the play be
then to be considered: That's villanous, and shows a
most pitiful ambition in the fool that uses it. And then
you have some again that keeps one suit of jests, as a man
is known by one suit of apparel; and gentlemen quote
his jests down in their tables before they come to the
play; as, thus, 'Cannot you stay till I eat my porridge?'
and 'You owe me a quarter's wages', and 'My coat
wants a cullison', and 'Your beer is sour', and blabbering
(50) with his lips, and thus keeping in his cinquepace of
jests, when, god knows, the warm clown cannot make a
jest unless by chance, as the blind man catcheth a hare.
Masters, tell him of it.
FIRST PLAYER We will, my lord.
HAMLET Well, go make you ready.
[Exeunt Players]
[Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN]
How now, my lord! I will the king hear this piece of work?
LORD POLONIUS And the queen too, and that presently.
HAMLET Bid the players make haste.
[Exit POLONIUS]
(60) Will you two help to hasten them?
ROSENCRANTZ and GUILDENSTERN We will, my lord.
[Exeunt ROSENCRANTZ and GUILDENSTERN]
HAMLET What ho! Horatio!
[Enter HORATIO]
HORATIO Here, sweet lord, at your service.
HAMLET Horatio, thou art e'en as just a man
As e'er my conversation coped withal.
HORATIO O, my dear lord,--
HAMLET Nay, do not think I flatter;
For what advancement may I hope from thee
That no revenue hast but thy good spirits,
To feed and clothe thee? Why should the poor be flatter'd?
(70) No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee
Where thrift may follow fawning. Dost thou hear?
Since my dear soul was mistress of her choice
And could of men distinguish, her election
Hath seal'd thee for herself; for thou hast been
As one, in suffering all, that suffers nothing,
A man that fortune's buffets and rewards
Hast ta'en with equal thanks: and blest are those
Whose blood and judgment are so well commingled,
(80) That they are not a pipe for fortune's finger
To sound what stop she please. Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee.--Something too much of this.--
There is a play to-night before the king;
One scene of it comes near the circumstance
Which I have told thee of my father's death:
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul
(90) Observe mine uncle: if his occulted guilt
Do not itself unkennel in one speech,
It is a damned ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note;
For I mine eyes will rivet to his face,
And after we will both our judgments join
In censure of his seeming.
HORATIO Well, my lord:
If he steal aught the whilst this play is playing,
And 'scape detecting, I will pay the theft.
(100) HAMLET They are coming to the play; I must be idle:
Get you a place.
[Danish march. A flourish. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others]
KING CLAUDIUS How fares our cousin Hamlet?
HAMLET Excellent, i' faith; of the chameleon's dish: I eat
the air, promise-crammed: you cannot feed capons so.
KING CLAUDIUS I have nothing with this answer, Hamlet; these words
are not mine.
HAMLET No, nor mine now.
[To POLONIUS]
My lord, you played once i' the university, you say?
(110) LORD POLONIUS That did I, my lord; and was accounted a good actor.
HAMLET What did you enact?
LORD POLONIUS I did enact Julius Caesar: I was killed i' the
Capitol; Brutus killed me.
HAMLET It was a brute part of him to kill so capital a calf
there. Be the players ready?
ROSENCRANTZ Ay, my lord; they stay upon your patience.
QUEEN GERTRUDE Come hither, my dear...
Erscheint lt. Verlag | 1.3.2018 |
---|---|
Sprache | englisch |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
ISBN-10 | 1-4554-2633-4 / 1455426334 |
ISBN-13 | 978-1-4554-2633-1 / 9781455426331 |
Haben Sie eine Frage zum Produkt? |
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