Invisible (eBook)

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2015 | 1. Auflage
96 Seiten
Faber & Faber (Verlag)
978-0-571-32773-7 (ISBN)

Lese- und Medienproben

Invisible -  Rebecca Lenkiewicz
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Imagine a world where the Stephen Lawrence Case and the Hillsborough Disaster never made it to court. Since 2012 the government has made sweeping cuts to the provision of legal aid. In this new reality, in cases from civil law to immigration, the voices of those seeking justice are in danger of never being heard. The Invisible tells the stories of ordinary people whose access to legal aid has been denied, examining how the cuts are driving ever deeper cracks into the fabric of our society. Rebecca Lenkiewicz's The Invisible was commissioned by the Bush Theatre, London, where it premiered in July 2015.

Rebecca Lenkiewicz's plays include The Night Season (National Theatre, Critics' Circle's Most Promising Playwright Award, 2004) and Her Naked Skin (National Theatre, 2008), which was the first play by a living female playwright to be staged on the Olivier stage. Other plays include The Invisible (The Bush), Jane Wenham, Soho, The Painter (Arcola), The Typist (Riverside Studios), The Lioness (Tricycle), That Almost Unnameable Lust, Shoreditch Madonna, Blue Moon over Poplar (Soho Theatre), A Soldier's Tale (Old Vic), Invisible Mountains (National Theatre), Faeries (Royal Opera House), Justitia (Peacock Theatre), and adaptations of Ibsen's Ghosts (Arcola) and James's The Turn of the Screw (Almeida). Film includes Colette, Disobedience and Ida, co-written with Pawel Pawlikowski, which won a BAFTA and the Oscar for Best Foreign Language Film, 2015.
Imagine a world where the Stephen Lawrence Case and the Hillsborough Disaster never made it to court. Since 2012 the government has made sweeping cuts to the provision of legal aid. In this new reality, in cases from civil law to immigration, the voices of those seeking justice are in danger of never being heard. The Invisible tells the stories of ordinary people whose access to legal aid has been denied, examining how the cuts are driving ever deeper cracks into the fabric of our society. Rebecca Lenkiewicz's The Invisible was commissioned by the Bush Theatre, London, where it premiered in July 2015.

Recorded voices are heard. Some are from the 1960s television documentary Seven Up, following the paths of children from age seven upwards.

A privileged young boy talks about how he doesn’t ‘not like’ the poor but doesn’t want them to come to his school because they’re dirty.

A working-class boy becomes a loner later in life and discusses his mental health.

A modern-day judge talks about access to justice. Snippets of humanity.

While these images are projected Shaun dances to his iPod. In separate spaces the people of the play inhabit their lives. Ken looks at photographs of his children. He blows into a paper bag to prevent a panic attack. Gail reads a surreal pile of files. Aisha sews a dress. Riz prays.

A pink restaurant. Night. Gail and Ken sit opposite each other at a dinner table. Gail has a glass of rosé. There are glasses of water on the table. They look through the menu. Ken has had a few drinks before arriving at the restaurant and is trying to sober up. Gail stops and puts both her feet firmly on the ground.

Gail Can you feel that?

Ken looks at her. Gail concentrates. She looks at him, he shakes his head. Gail bends towards the floor and puts one hand on the floor.

The vibrations. There must be an underground line here.

Ken nods. Gail sits back up again.

I think I’ll have another glass of rosé. Shall we get a bottle?

Ken nods.

Will you have some?

Ken nods.

Okay. Good.

Ken shakes his head.

No? Okay. I can get through a bottle … if we’re eating.

Ken Eating would be good.

Gail Actually I’m not sure … Maybe I’m not hungry.

Ken No?

Gail No … I’ll have a drink and then I think I might go.

Ken You’re going because …?

Gail You were late. And you’ve had a few drinks.

Ken Two. Two pints. And a shot. She’s bringing coffee. Okay?

I’m sorry. Stay. It’ll be fun.

Gail I’ll have another glass of wine.

Ken Exactly. Catch up.

Gail I didn’t think it was a race.

Pause.

Ken Why are so many Indian restaurants pink?

Gail looks back at the menu.

In Denmark there’s a TV show where two people meet for the first time and on the same day they get married.

Gail She’s disappeared. I’m going to have a smoke.

Ken You won’t come back.

Gail Yes, I will.

Ken Leave something here so you’ll come back.

Gail What, like a shoe?

Ken Your purse.

Gail This isn’t a hostage situation.

Ken No, it’s a date. It’s great.

Gail Do the couples get paid?

Ken Which couples?

Gail The ones on the show. Who meet and marry. Or do they just want to be on TV?

Ken No, they genuinely want a husband or wife. It’s called Marriage at First Sight.

Beat.

Then they follow their progress.

Beat.

I had a Danish girlfriend. Divorce is very easy there. You can do it online.

Ken drinks some water. He pours some water on his hands and pats his face with it.

Ken Tell me about your work …

Gail It’s my night off.

Ken Thank you.

Gail For what?

Ken For staying. What are you going to eat? Chicken?

Gail I’m a vegetarian.

Ken That’s okay.

Gail I know it is.

Ken Fish?

Gail No.

Ken That’s fine. A lot of vegetarians don’t eat fish.

Gail Real vegetarians don’t eat fish. Or meat. They don’t eat it.

Ken But those fish oils. They’ll keep you going. Your brain. Your knee joints. Depression. How can you do without them? You’re okay. You look strong and healthy.

Gail Do you want to inspect my teeth?

Ken So … I’m just out of a car crash of a marriage … You work in a law centre, yeah? And you’re …?

Gail A vegetarian. I know. It’s a lot to take in.

Ken I’m a good dancer. I bet you’re a good dancer.

Gail I am.

Ken We should ask them to put some music on. Stop talking. Start dancing.

Gail and Ken get up and dance to a great Motown number for a few moments. They dance fantastically together. Then they sit back down.

Ken You don’t have children?

Gail No. I’ve never had the time.

Ken See. We’re doing okay. This is a pretty good level of talk. Don’t you think? It’s like a good marriage-level sort of conversation. Convivial.

Gail I’ve never been married.

Ken Impressive. I liked your write-up. You sounded very … optimistic.

Gail No. I’m not.

Ken You are. Compared to the people I know. You wrote about justice.

Gail Really? I must have had too much red wine before I filled it in.

A Waitress approaches with a cafetière of coffee. She puts it down with a cup.

Waitress Are you ready to order?

Ken A new head. A new body. And a new life, please. And Rachel would like a new soul mate.

Ken laughs.

Gail We might just stick with drinks.

Waitress You have to eat. Sorry. It’s a legal thing.

Ken See? And you’re a lawyer.

Gail Come back to us, yes?

Waitress Okay. We’ve got some specials there.

Ken Specials. Good. You should be in films, you know, not carrying trays around? Shouldn’t she?

Gail What?

Ken Be in a film. Or modelling something. No?

Gail I’m going to have a fag.

The Waitress walks away.

Ken Have you always smoked?

Gail I wasn’t born smoking, no. My name’s Gail. Not Rachel.

Ken You lied to me.

Gail I didn’t. I’ve never said my name was Rachel.

Ken When I came in I called you Rachel.

Gail Yes. And I let it go.

Ken Okay … Take two. Ken and Gail meet. How is it for you?

Gail This? Well … it’s not great, Ken.

Ken Tell me about your cases.

Gail No. We’re like doctors. Confidential.

Ken I’m not asking for names. Do you cover family law?

Gail No. I studied it. But we do mainly housing and immigration.

Ken Do you remember your studies?

Gail Vaguely. Do you?

Ken No. So what’s the centre like?

Gail There’s a lot of disappointment in one small building. A few successes too. Right … cigarettes.

She gets her cigarettes from her clutch bag.

Do you? Smoke?

Ken Me yes. I smoke … I drink … I vape … I chew Nicorette … I do dope … coke … Berocca … Red Bull … Smarties … I do everything. I’m terrible.

Gail Will you join me then?

Ken Let’s order first. So you like it? The law?

Gail I’m probably addicted to it.

Ken The adrenalin?

Gail Hope. I’ve become expert at adjusting people’s expectations. I can’t stand that the law is seen as something foreign. It should be taught in schools. Your rights. Just like English and French is.

Ken So you don’t get parents coming in? Families?

Gail No. What do you do?

Ken Nothing right now.

He pours some coffee.

Why did you go into law?

Gail I can’t remember. What did you do then?

Ken Secret.

Gail You’re not going to remember any of this tomorrow, are you?

Ken I will. Your face.

Gail No. I’m probably having a conversation with myself essentially.

Ken You’re not. It’s complicated, isn’t it? The whole thing of … people.

Gail It’s been a while.

Ken nods.

Ken Are you still capable of giving yourself to someone?

Gail Is that the transaction? It sounds pretty dramatic.

Ken Really? I think it sounds warm … comforting. Sexy.

Gail I’ve probably found myself lonelier with someone than...

Erscheint lt. Verlag 30.7.2015
Verlagsort London
Sprache englisch
Themenwelt Literatur Lyrik / Dramatik Dramatik / Theater
Kunst / Musik / Theater Theater / Ballett
Schlagworte Equality • Justice • Magna Carta • Social Justice
ISBN-10 0-571-32773-7 / 0571327737
ISBN-13 978-0-571-32773-7 / 9780571327737
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