Schenker Studies
Cambridge University Press (Verlag)
978-0-521-10686-3 (ISBN)
Preface; Part I. Historical Studies: 1. Introduction; 2. Schenkerian theory and manuscript studies: modes of interaction John Rothgeb; 3. A source for Schenker's study of thorough bass: his annotated copy of J. S. Bach's Generalbassbuchlein Hedi Siegel; 4. Music and morphology: Goethe's influence on Schenker's thought William Pastille; 5. Schenkerian theory and the analysis of Renaissance music David Stern; 6. Foreground, middleground and background: their significance in the history of tonality Saul Novack; Part II. Analytical Studies: 7. Introduction; 8. Dual-key movements David Loeb; 9. J. S. Bach's 'binary' dance movements: form and voice leading Larry Laskowski; 10. Aspects of the Neapolitan sixth chord in Mozart's music Roger Kamien; 11. Enharmonic transformation in the first movement of Mozart's Piano Concerto in C minor, K. 491 Eric Wen; 12. Schenker and chromatic tonicisation: a reappraisal Patrick McCreless; 13. Departures from the norm in two songs from Schumann's Charles Burkhart; 14. Either/or Carl Schachter; Part III. Schenker Studies Today: 15. Introduction; 16. Schenkerian theory in Great Britain: developments and responses Jonathan Dunsby and John Rink; 17. The Americanisation of Heinrich Schenker William Rothstein; Index.
Erscheint lt. Verlag | 2.4.2009 |
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Zusatzinfo | Worked examples or Exercises |
Verlagsort | Cambridge |
Sprache | englisch |
Maße | 189 x 246 mm |
Gewicht | 400 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 0-521-10686-9 / 0521106869 |
ISBN-13 | 978-0-521-10686-3 / 9780521106863 |
Zustand | Neuware |
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