Twelve-Tone Tonality, Second edition
Seiten
1996
|
2nd edition
University of California Press (Verlag)
978-0-520-20142-2 (ISBN)
University of California Press (Verlag)
978-0-520-20142-2 (ISBN)
Argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. This book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. It also discusses new developments in the theory and practice of twelve-tone tonality.
In this classic work, George Perle argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. These elements collectively imply a new tonality as 'natural' and coherent as the major-minor tonality that was the basis of a common musical language in the past. His book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. The second edition of "Twelve-Tone Tonality" is enlarged by eleven new chapters, some of which are 'postscripts' to earlier chapters - clarifying, elucidating, and expanding upon concepts discussed in the original edition. Others discuss new developments in the theory and practice of twelve-tone tonality, including voice-leading implications of the system and dissonance treatment.
In this classic work, George Perle argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. These elements collectively imply a new tonality as 'natural' and coherent as the major-minor tonality that was the basis of a common musical language in the past. His book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. The second edition of "Twelve-Tone Tonality" is enlarged by eleven new chapters, some of which are 'postscripts' to earlier chapters - clarifying, elucidating, and expanding upon concepts discussed in the original edition. Others discuss new developments in the theory and practice of twelve-tone tonality, including voice-leading implications of the system and dissonance treatment.
George Perle is a distinguished composer and Professor Emeritus of Music at the City University of New York. His books include Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern (Sixth Edition, California, 1991); The Operas of Alban Berg, Volume 1, Wozzeck (California, 1980) and Volume 2, Lulu (California, 1985); and The Listening Composer (California, 1990). He has been a recipient of the Pulitzer Prize and a MacArthur Foundation Fellowship.
Erscheint lt. Verlag | 30.7.1996 |
---|---|
Verlagsort | Berkerley |
Sprache | englisch |
Maße | 175 x 254 mm |
Gewicht | 771 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 0-520-20142-6 / 0520201426 |
ISBN-13 | 978-0-520-20142-2 / 9780520201422 |
Zustand | Neuware |
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