Anthology Volume II (Enlightenment to the Present) to accompany Ideas and Styles in the Western Musical Tradition

Douglass Seaton, Warren D. Allen Professor of Music at The Florida State University, holds the M.A., M. Phil., and Ph.D. degrees from Columbia University. His principal research interests are in the music of Felix Mendelssohn, the Classic/Romantic period, and relationships of literature and music. Dr. Seaton's dissertation dealt with Mendelssohn's compositional processes. He is the author of Ideas and Styles in the Western Musical Tradition and The Art Song: A Research and Information Guide, and editor of The Mendelssohn Companion; and he prepared the scholarly edition of Mendelssohn's Lobgesang (Symphony No. 2) published by Carus-Verlag in Stuttgart. His articles have appeared in the Journal of the American Musicological Society, The Musical Quarterly, The Music Review, College Music Symposium, Ars lyrica, and The New Grove Dictionary of Music and Musicians, among others. Professor Seaton is former President of The College Music Society and has also served on the Council of the American Musicological Society. Douglass Seaton grew up in India and received his higher education at The College of Wooster and Columbia University. He has served on the music history faculty at The Florida State University since 1978, teaching courses for general students, music majors, graduate students in historical musicology, and advanced students in the humanities. He has received several awards for teaching and for research, and he was named Warren D. Allen Professor of Music in 2002. His former students have gone on to advanced studies and teaching positions throughout the United States. Professor Seatons wide interests in music history include music aesthetics, particularly focusing on how musicians in different times and places have understood how music works. He has written extensively on the relationships that musicians have explored between music and words.

THE WESTERN MUSICAL TRADITION: ANTHOLOGYENLIGHTENMENT TO POSTMODERNISM52. Giovanni Battista Pergolesi, La serva padrona, excerpt53. Domenico Scarlatti, Sonatas in A, K. 322, 32354. Carl Philipp Emanuel Bach, Fantasia in E♭, W. 58/4, H. 27755. Christoph Willibald von Gluck, Orfeo ed Euridice, recitative and aria "Che farò senza Euridice?"56. Joseph Haydn, Symphony no. 46 in B57. Wolfgang Amadeus Mozart, Piano Sonata no. 1 in C, K. 27958. Joseph Haydn, String Quartet in E♭, op. 33 no. 259. Wolfgang Amadeus Mozart, Piano Concerto in D minor, K. 466, first movement60. Wolfgang Amadeus Mozart, Le nozze di Figaro, excerpt61. Joseph Haydn, Symphony no. 92 in G, "Oxford"62. Ludwig van Beethoven, Piano Sonata in C minor, op. 13, "Pathétique"63. Luise Reichardt, "Frühlingsblumen"64. Ludwig van Beethoven, Symphony no. 3 in E♭, "Eroica," first movement65. Gioacchino Rossini, Il barbiere di Siviglia, excerpt66. Franz Peter Schubert, "Erlkönig," D.32867. Franz Peter Schubert, "Auf dem Wasser zu singen," D.77468. Ludwig van Beethoven, String Quartet in A minor, op. 132, third movement, "Heiliger Dankgesang"69. Carl Maria von Weber, Der Freischütz, Wolf’s Glen scene70. Felix Mendelssohn Bartholdy, Overture to A Midsummer Night’s Dream71. Hector Berlioz, Symphonie fantastique, fifth movement72. Robert Schumann, Carnaval, excerpts (Préambule, Pierrot, Arlequin, Valse noble, Eusebius, Florestan)73. Fanny Mendelssohn Hensel, "Du bist die Ruh," op. 7 no. 474. Frédéric Chopin, Nocturne in D♭, op. 27 no. 275. Clara Wieck Schumann, Trio in G minor for violin, cello, and piano, op. 17 (1846), Andante (third movement)76. Franz Liszt, Années de pèlerinage, 2ème année, Italie, 5. Sonetto 104 del Petrarca77. Giuseppe Verdi, La Traviata, act 2 excerpt78. Richard Wagner, Die Götterdämmerung, final scene "Brünnhilde’s Immolation"79. Johannes Brahms, Ein deutsches Requiem, second movement80. Georges Bizet, Carmen, "Seguidilla"81. Franz Liszt, "Unstern! — Sinistre"82. Modeste Mussorgsky, Boris Godunov, excerpt83. Antonin Dvořák, Piano Quintet in A, op. 81, second movement "Dumka"84. Ruggero Leoncavallo, I pagliacci, excerpt85. Gustav Mahler, Symphony no. 2 in C minor, fourth movement "Urlicht"86. Claude Debussy, Nocturnes, "Nuages"87. Erik Satie, Gymnopédies, no. 188. Arnold Schoenberg, Pierrot lunaire, no. 15 "Heimweh" and no. 16 "Gemeinheit"89. Igor Stravinsky, Le Sacre du printemps, "Cercles mystérieux des adolescentes" and "Glorification de l’élue"90. Lili Boulanger, "D’un jardin clair" from Trois morceaux pour piano (1914)91. Alban Berg, Wozzeck, act 2, scene 492. Charles Ives, "General William Booth Enters into Heaven"93. Arnold Schoenberg, Suite for Piano, Minuet and Trio94. Anton Webern, Concerto for Nine Instruments, op. 24, first movement95. Ruth Crawford Seeger, String Quartet 193196. Paul Hindemith, Mathis der Maler Symphony, first movement "Engelkonzert" (1934 version)97. Edgard Varèse, Ionisation98. Béla Bartók, Music for Strings, Percussion, and Celesta, first movement99. Igor Stravinsky, Symphony in C, first movement100. Aaron Copland, Appalachian Spring Suite, excerpt101. Olivier Messiaen, Mode de valeurs et d’intensités102. John Cage, Aria103. Krzyzstof Penderecki, To the Victims of Hiroshima: Threnody104. George Crumb, Ancient Voices of Children, III ¿De donde vienes, amor, mi niño?105. Pauline Oliveros, Aeolian Partitions106. Ellen Taaffe Zwilich, Sonata in Three Movements for Violin and Piano, first movement107. Steve Reich, Piano Phase