Anthology Volume I (Antiquity to the Baroque) to accompany Ideas and Styles in the Western Musical Tradition

Douglass Seaton, Warren D. Allen Professor of Music at The Florida State University, holds the M.A., M. Phil., and Ph.D. degrees from Columbia University. His principal research interests are in the music of Felix Mendelssohn, the Classic/Romantic period, and relationships of literature and music. Dr. Seaton's dissertation dealt with Mendelssohn's compositional processes. He is the author of Ideas and Styles in the Western Musical Tradition and The Art Song: A Research and Information Guide, and editor of The Mendelssohn Companion; and he prepared the scholarly edition of Mendelssohn's Lobgesang (Symphony No. 2) published by Carus-Verlag in Stuttgart. His articles have appeared in the Journal of the American Musicological Society, The Musical Quarterly, The Music Review, College Music Symposium, Ars lyrica, and The New Grove Dictionary of Music and Musicians, among others. Professor Seaton is former President of The College Music Society and has also served on the Council of the American Musicological Society. Douglass Seaton grew up in India and received his higher education at The College of Wooster and Columbia University. He has served on the music history faculty at The Florida State University since 1978, teaching courses for general students, music majors, graduate students in historical musicology, and advanced students in the humanities. He has received several awards for teaching and for research, and he was named Warren D. Allen Professor of Music in 2002. His former students have gone on to advanced studies and teaching positions throughout the United States. Professor Seatons wide interests in music history include music aesthetics, particularly focusing on how musicians in different times and places have understood how music works. He has written extensively on the relationships that musicians have explored between music and words.

THE WESTERN MUSICAL TRADITION – ANTHOLOGYANTIQUITY TO THE BAROQUE1. First Delphic Hymn to Apollo (DWMA 2)2. Easter Mass Proper and Ordinary (EMH 1)3. Rex pacificus (antiphon and Psalm 112) (EMH 2b)4. Ut queant laxis (hymn) (DWMA 10)5. Hildegard of Bingen, Ordo virtutum, excerpt (DWMA 26)6. Sit gloria Domini (organum at the fifth with octave doubling, from Musica Enchiriadis) (EMH 4b)7. Pange lingua gloriosi corporis (hymn) (EMH 7c)8. Bernart de Ventadorn, Can vei la lauzeta mover (EMH 8a)9. Guillaume d’Amiens, Prendes i garde (EMH 8f)10. Kyrie Cunctipotens genitor (from Codex Calixtinus) (EMH 9b)11. Leonin, Alleluia Pascha nostrum (organum duplum) (EMH 10a)12. Perotin (?), Alleluia Pascha nostrum (organum triplum) (EMH 11)13. Depositum creditum / Ad solitum vomitum / Regnat (Latin double motet) (EMH 13d)14. Petrus de Cruce, Aucun on trouvé / Lonc tans / Annuntiates (French double motet) (EMH 15d)15. Philippe de Vitry, Tribum que / Quoniam secta / Merito hec patimur (isorhythmic motet) (EMH 16)16. Guillaume de Machaut, Bone pastor Guillerme / Bone pastor qui pastores / bone pastor (isorhythmic motet) (EMH 17)17. Guillaume de Machaut, Mon fin est mon commencement (rondeau) (DWMA 42)18. Francesco Landini, Questa fanciull’amor (ballata) (EMH 21)19. Johannes Ciconia, Sus un’ fontayne (virelai) (EMH 23)20. John Dunstable, Beata mater (motet) (EMH 25)21. Guillaume Dufay, Nuper rosarum flores / terriblis est locus iste (motet) (DWMA 52)22. Guillaume Dufay, Christe, redemptor omnium (hymn) (EMH 26)23. Johannes Ockeghem, Agnus Dei from Missa Mi-mi (EMH 29)24. Guillaume Dufay, Adieu m’amour, adieu ma joye (rondeau) (EMH30b)25. Josquin Desprez, Ave Maria gratia plena . . . virgo serena (motet) (EMH 32)26. Josquin Desprez, Kyrie from Missa Pange lingua (EMH 34a)27. Marchetto Cara, Io non compro più speranza (frottola with introductory recercare by Franciscus Bossinensis) (EMH 39)28a. Martin Luther, Aus tiefer Not (chorale melody, 1524) (EMH 40a)28b. Johann Walter, Aus tiefer Not (four-part setting, 1524) (EMH 40b)29a. Veni sponsa Christi (antiphon) (EMH 42b)29b. Giovanni Pierluigi da Palestrina, Veni sponsa Christi (motet) (EMH 42a)29c. Giovanni Pierluigi da Palestrina, Kyrie from Missa Veni sponsa Christi (EMH 43)30. Clément Janequin, Ou mettra l’on ung baiser (Parisian chanson) (EMH 48)31. Luis da Milan, Pavan 1 (from El maestro) (EMH 49a)32. Jacques Arcadelt, Il bianco e dolce cigno (madrigal) (EMH 50)33. Cipriano de Rore, Da le belle contrade d’oriente (madrigal) (EMH 51)34. Claudio Monteverdi, Cruda Amarilli (madrigal) (EMH 53)35. Carlo Gesualdo, Moro, lasso, al mio duolo (EMH 54)36. Giulio Caccini, Perfidissimo volto (solo madrigal from Le nuove musiche) (EMH 55)37. Claudio Monteverdi, Zefiro torna (continuo madrigal from Scherzi musicali) (EMH 58)38. Giovanni Gabrieli, In ecclesiis (concertato motet from Symphoniae sacrae II) (EMH 59)39. Heinrich Schütz, O quam tu pulchra es (from Symphoniae sacrae I) (EMH 60)40. Claudio Monteverdi, Orfeo, excerpts from Act 2 (EMH 63)36a. Vi ricordi through Ahi caso acerbo (EMH 63a)36b. A l’amara novella through Ahi caso acerbo (EMH 63b)41. Jean-Baptiste Lully, Alceste (Act II, scenes 7-8) (EMH 68)42. Henry Purcell, Dido and Aeneas (concluding scene) (EMH 69)43. Johann Jacob Froberger, Suite VI (EMH 74)44. Girolamo Frescobaldi, Toccata 9 from Il secondo libro di toccate (DWMA 102)45. Arcangelo Corelli, Sonata da camera a tre, Opus 4, No. 5 (EMH 78)46. George Frideric Handel, Admeto (Act II, scenes 7 and 8) (EMH 82a)47. George Frideric Handel, Messiah, excerpts (DWMA 119)a. "Comfort ye," accompanied recitativeb. "Every valley," ariac. "And the glory of the Lord," chorus48. Johann Sebastian Bach, Jesu, der du meine Seele, BWV 78 (cantata for the 14th Sunday after Trinity) (EMH 85)49. François Couperin, Premier ordre from Pièces de clavecin, Premier livre, excerpts (EMH 86)50. Johann Sebastian Bach, Prelude and Fugue in D minor, BWV 851-852 (from Das wohltemperirte Clavier I) (EMH 87)51. Antonio Vivaldi, Violin Concerto in G minor, Opus 8, No. 8, RV 332 (from Il cimento dell’armonia e dell’inventione) (EMH 89)