Participatory Sound Art
Springer Verlag, Singapore
978-981-99-6356-0 (ISBN)
The book addresses a major gap in the current sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical Avantgardes to the non-institutionalized forms of sonic creativity in contemporary digital culture and proposes an innovative theoretical framework for analysing such phenomena rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, it focuses on three principal aspects of participatory sound art: the ways the materialities of the artworks facilitate and structure the participatory processes; the interplay of the creative agencies of the artists and the participants; and the postcritical approach to sound art's politics, unfolding through the participants' affective gestures. In considering these dimensions, the book contributes to the growing fields of both sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art.
Vadim Keylin holds a PhD in Aesthetics and Culture from Aarhus University and is currently a research associate in the ERC project “Poetry in the Digital Age” (University of Hamburg). He has published peer-reviewed articles and book chapters on experimental musical instruments, interactive sound art and sound in participatory culture.
Chapter 1: Introduction
1.1 Sound art and participation
1.2 Sound, art, music
1.3 Participation, interactivity, collaboration
Chapter 2. Histories
2.1 Sound, participation and Gesamtkunstwerk
2.2 Sound and participation in historical Avantgarde
2.3 Sound and participation in the Post-war Avantgarde
2.4 Sound and participation after the Cold War
2.5 Interactive audio and digital culture
Chapter 3. Discourses
3.1 Sonic, spatial, social
3.2 Sense vs. senses
3.3 Sonic pragmatism
3.4 Sonic doing: acts and gestures
3.5 Creative undergoing: agencies and ecologies
Chapter 4. Affordances
4.1 Sound artworks as platforms
4.2 Aesthetic affordances
4.3 Technological environments
4.4 Beyond the artwork
4.5 Materiality and sociality
Chapter 5. Perspectives
5.1 Creative agency
5.2 Let Us Sing Your Place
5.3 Speaker Sculptures
5.4 Perspectives on participation
Chapter 6. Gestures
6.1 Sonic gestures between symbols and actions
6.2 Gestures of concern
6.3 Gestures of empowerment
6.4 Gestures of togetherness
6.5 Sounds of the possible
Chapter 7. Conclusion
| Erscheinungsdatum | 22.11.2023 |
|---|---|
| Reihe/Serie | Palgrave Studies in Sound |
| Zusatzinfo | XI, 155 p. |
| Verlagsort | Singapore |
| Sprache | englisch |
| Maße | 148 x 210 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Sozialwissenschaften ► Soziologie ► Spezielle Soziologien | |
| Schlagworte | auditory culture • interactive media • Music Technology • Participation studies • Participatory Art • Sensory Studies • sound and media art • sound art practice • Sound design |
| ISBN-10 | 981-99-6356-7 / 9819963567 |
| ISBN-13 | 978-981-99-6356-0 / 9789819963560 |
| Zustand | Neuware |
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