Moving through Conflict

Dina Roginsky (PhD) is a sociologist and anthropologist and holds an MA degree in psychology. Her research focuses on the intersection of culture, history, politics and performance. Her doctoral dissertation, Performing Israeliness, analyzes the 100-year social and ideological history of the Israeli folk dance movement as a case study in 20th-century nation-building project and cultural politics. Her postdoctoral research in the Department of Performance Studies at New York University explores national dancing in its diasporic context. She has published articles and presented her works in Israel, Europe, Canada and the US. Together with Henia Rottenberg, Roginsky is the coeditor of three anthologies on dance published in Israel by Resling Press: Dance Discourse in Israel (2009), Sara Levi-Tanai: A Life of Creation (2015) and Points of Contact: Dance, Politics and Jewish-Arab Relations in Israel (2018). Roginsky teaches Hebrew language and culture in the Department of Near Eastern Languages and Civilizations at Yale University. Henia Rottenberg (PhD) is a dance studies researcher whose interests focus on the dialogue between dance and visual arts in postmodern culture and on dance in Israel. Her doctoral dissertation Hybrid Relationships between Dance and Painting at the University of Surrey (UK) examined dance and painting relationships focusing on Lea Anderson’s dance The Featherstonehauhgs Draw on the Sketch Books of Egon Schiele (1998). Her MA dissertation, Rami Be’er: A Political Choreographer, analyzed the sociopolitical aspect of his choreography. Rottenberg published articles and presented her work in Israel, the US and Europe. She is the coeditor with Dina Roginsky of three anthologies on dance, published in Israel by Resling Press: Dance Discourse in Israel (2009), Sara Levi-Tanai: A Life of Creation (2015) and Points of Contact: Dance, Politics and Jewish-Arab Relations in Israel (2018). She was coeditor with Ruth Eshel on Dance Today (2008–2010) and one of the founders of The Israeli Society for Dance Research. Rottenberg is the Head of the Dance Theater Division in Theater Studies at Western Galilee College and lectures at Kibbutzim College of Education, Israel.

Part I – Community relations | Chapter 1: Community relations and Palestinian dance: introduction to Part I / Dina Roginsky | Chapter 2: About Arabs, Jews and dances: dance relations in Palestine and in the state of Israel / Dina Roginsky | Chapter 3: Belly dancing in Israel: body, embodiment, religion and nationality / Tovi Fenster | Chapter 4: Performing nationalism between the local and the global: women Palestinian dance teachers and choreographers in Israel / Hodel Ophir | Chapter 5: "There’s no peace, let’s start to create": Rabeah Morkus and Ilanit Tadmor create together / Ilanit Tadmor | Part II – Representational relations | Chapter 6: Dancing protest: introduction to Part II / Henia Rottenberg | Chapter 7: From Baruch Agadati to Arkadi Zaides: explicit and implicit representations of Arabs and the Israeli-Palestinian conflict in Israeli dance / Yael (Yali) Nativ | Chapter 8: Artistic activism: politics and dance in the works of Rami Be'er and Arkadi Zaides / Henia Rottenberg | Chapter 9: The ethics of binding: untangling the Israeli-Palestinian conflict through Jesse Zaritt’s dancing body / Naomi M. Jackson