Playing for Time Theatre Company (eBook)

Perspectives from the Prison
eBook Download: EPUB
2018
250 Seiten
Intellect Books Ltd (Verlag)
978-1-78320-952-1 (ISBN)

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Based on more than a decade of practice, Playing for Time Theatre Company presents the reader with a rich and invaluable resource for using theatre in criminal justice contexts, exploring ideas of identity, community, social justice and the power of the arts. The book analyses and reflects upon the company's evolution and unique model of practice, with university students and prisoners working side-by-side, led by industry professionals. The work draws on diverse methodologies and approaches, with chapters written from multiple perspectives, including a forensic psychologist, director, playwright, historian, student and ex-prisoners. Crucially, the voices and reflections of participating prisoners are central to the book. Providing unprecedented access to a significant body of prison theatre, Playing for Time Theatre Company presents both an overview and analysis of an extensive body of work, as well as offering perspectives on the efficacy of arts practice in the UK criminal justice system from 2000 onwards.

lt;p>Annie Mckean was a Senior Fellow in Knowledge Exchange at the University of Winchester lecturing in applied drama and theaterand drama in education. She was artistic director of Playing for Time Theatre Company, delivering theaterprojects in HMP Winchester, for over a decade.  

Kate Massey-Chase is an AHRC-funded PhD student at the University of Exeter, researching how applied theater could support young people in the transition between child and adolescent and adult mental health services, and a visiting lecturer on the MA Applied Theatre at the Royal Central School of Speech and Drama. 

Acknowledgements



Preface



Selina Busby



Introduction



Annie McKean with Kate Massey-Chase



Chapter 1: Transformation and Challenge in Insecure Worlds: The Arts in Secure Institutions



Annie McKean



Chapter 2: Playing for Time Theatre Company: A Model of Practice



Annie McKean



Chapter 3: Playing for Time in ‘The Dolls’ House’: Issues of Community and Collaboration in the Devising of Theatre in a Women’s Prison



Annie McKean



Chapter 4: The Carlisle Memorial Refuge, Winchester 1868–81: ‘That Most Difficult of All Social Questions’ – A Nineteenth-Century Approach to the Rehabilitation of Women Prisoners



Pat Thompson



Chapter 5: Stage Fright: What’s so Scary about Dressing Up?



Brian Woolland



Chapter 6: Telling the Self or Performing Another: The Exploration of Identity through Storytelling, Role and Analogy in West Hill, HMP Winchester



Kate Massey-Chase



Chapter 7: Lessons from the Prison: The Space between Two Worlds



Annie McKean



Chapter 8: Our Country’s Good by Timberlake Wertenbaker: Creating Liberatory Spaces? Reflections on Process and Performance



Marianne Sharp



Chapter 9: The Drama of Change: A Comparative Study of University Students’ and Prisoners’ Dispositional Empathy, Need for Closure and Future Possible Selves



Ann Henry



Chapter 10: Exit Stage Left: Conversation, Creative Writing and Coping with Loss: An Introduction to Scott’s Diary



Kass Boucher



Chapter 11: From the Fishbowl to the Sea: A Nine-Week Journey



Scott



Chapter 12: Over the Wall Theatre Company



Fiona Mackie



Postscript



Notes on Contributors



Index

Erscheint lt. Verlag 15.1.2019
Verlagsort Bristol
Sprache englisch
Themenwelt Literatur Lyrik / Dramatik Dramatik / Theater
Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Soziologie
Schlagworte Applied Theatre • ART • Art and Crime • arts practice • Community • criminal justice system • Dispositional empathy • Identity • Power • Prison theatre • Rehabilitation • Social Justice
ISBN-10 1-78320-952-6 / 1783209526
ISBN-13 978-1-78320-952-1 / 9781783209521
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