Music Cultures in Sounds, Words and Images. (eBook)

Antonio Baldassarre & Tatjana Marković: Introduction
SOUNDS OF NATIONS
*B. Navratil: Music in Poetry: Tumanian's "Anush"
*T. Marković: "Croatness" in music: Songfully Italian, Solidly German, a Little Bit "Oriental" and Above All Slavic
*I. Prodanov: Woman in Mokranjac's Rukoveti
*A. Charkiolakis: Ideological Schemes and National Perspectives. The Use of the Greek National Anthem in Choisy's Exile du Patre and Kasassoglou's Four Preludes for the Return from the Front
*D.Davidović: Filmfuge
WORDS ON MUSIC
*E. Rocconi: The Edition of Marcus Meibom's Aristoxeni Harmonicorum Elementorum Libri Tres and its Contribution to the Knowledge of Ancient Greek
Music Theory in the Seventeenth Century
*N. Schüler: Reflections on Hugo Riemann's "Musik-Lexikon" and His Music Historiography
*A. Vasić: Značaj "Srpskog književnog glasnika" (1901–1941) u istoriji srpske muzike
*L. Stefanija: Slovenian Modernisms since 1918: Evasive Idea(l)s of the "Classical"
*B. Knysak: Immigrant Music Journals in the United States
*Z. Boyu: 民族音乐学视阈中的音乐美学问题
*I. Pustijanac: Western Art Music Beyond the West
PERFORMANCE ON MUSICAL CULTURES
*A. W. Atlas: Ladies and the Concertina in Victorian England: Some Notes on Manufacturers' Marketing Strategies
*G. Busch-Salmen: "Ew. Hochfürstl. Durchlaucht haben […] selbst eine hohe Stufe der ausübenden Kunst erstiegen" – Versuch über komponierende Fürstinnen
*T. Frühauf: Jewish Vestiges on the Banks of the Danube: Synagogue Music in "Pannonia"
*A. Baldassarre: Identity, Ritual and Materiality of Bourgeois Power Performance: Oskar Reinhart's Club zur Geduld in Winterthur
*U. Hemetek: Vocal Music of the Burgenland Croats: On Research History and the Impact of Methodology
*M. Milin: Muzički bijenale Zagreb i srpska muzička scena: Jugoslovenski period
*A. Pizà: Joan and John: How Miró Sponsored the Merce Cunningham Dance Company in Sitges in 1966
IMAGES ON MUSIC
*D. Castaldo: Images of Ancient Music in Jean-Jacques Boissard's Works
*E. Ferrari-Barassi: Antonio Canova e Le Muse: Marmo, Tempera e altri Mezzi per Reinterpretare l'Antichità
*N. Guidobaldi: Il Concerto delle Muse nella Città Ideale:
Indagini sul Programma Iconografico del Tempietto
del Palazzo Ducale di Urbino con un'Ipotesi di Ricostruzione Virtuale
*M. Teresa Arfini: Johannes Theile's "Harmonischer Baum". An Example of Figurative Canon
*F. Gétreau: The Portrait of a Violist and a Young Lady: Seeking Their Identity and Paternity
*H. Robert Cohen: Viafora's "Gallery of Celebrities" in Musical America (1915–1920)
*N. Bezić: Artefakti Art Décoa: Primjeri iz knjižnice i arhiva. Hrvatskoga glazbenog zavoda u Zagrebu.
*A. Teniswood-Harvey: The Piano/Fountain Association:
From Franz Liszt to Salvador Dalí
*E. Wennekes: Walküre or Wabbit; Richard and/or Rango? Scratching the Surfaces of Multiple Layers of Mediatized Wagner Reception
*C. Santarelli: Color Harmonies, Music Harmonies: Notes on American Synchromism
*M. Saffle: Visual Representations of Jazz, 1915–1945
ORGANOLOGY
*L. Libin: Literature as an Adjunct to Organology
*Li Mei
曾侯乙编钟铭文中所体现中国人早期律学实践
*T. Lynch: The Seductive Voice of the "Aulos" in Plato's "Symposium":
From the Dismissal of the "aulteris" to Alcibiades' Praise of Socrates-auletes
*S. Perrot: Lyre in the Sky with Diamonds: About the Shape of a Greco-Roman Musical Constellation
* Dorothea Baumann: Organology as Methodology to Find Realistic Elements:
Musical Instruments in Swiss Marriage Announcement and Glass Panels of the Sixteenth and Seventeenth Century
CLASSIFYING DATA ON MUSICS
*A. Green & S. Ferguson: The Database of Association RIdIM: Linking Data, Images and Partnerships
*B. D. Mackenzie: The "I" in RILM
*F. Riva: World Music Documentation System: A Phantasy o una profezia?
Leggendo Barry S. Brook quaranta anni dopo.