Theorizing Sound Writing
Seiten
2017
Wesleyan University Press (Verlag)
978-0-8195-7665-1 (ISBN)
Wesleyan University Press (Verlag)
978-0-8195-7665-1 (ISBN)
An eclectic and experimental exploration of sound from the vantage point of writing
The study of listening—aurality—and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also compassionate scholarship.
The study of listening—aurality—and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also compassionate scholarship.
DEBORAH A. KAPCHAN is associate professor of performance studies at New York University. A Guggenheim fellow, she is the author of Gender on the Market and Traveling Spirit Masters, as well as numerous articles on sound, narrative, and poetics.
Erscheinungsdatum | 09.04.2017 |
---|---|
Reihe/Serie | Music/Culture |
Zusatzinfo | 23 illus. |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 0-8195-7665-4 / 0819576654 |
ISBN-13 | 978-0-8195-7665-1 / 9780819576651 |
Zustand | Neuware |
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