Music Semiotics: A Network of Significations
Routledge (Verlag)
978-1-138-27074-9 (ISBN)
Esti Sheinberg is the author of Irony, Satire, Parody and the Grotesque in the Music of Dmitri Shostakovich (Ashgate: 2000). A former student and colleague of Raymond Monelle, Sheinberg's scholarship contributes to the developing field of music signification by combining music analysis and historical research with the semiotics of music.
Contents: Foreword, Eero Tarasti; Preface; Introduction, Esti Sheinberg; Part I The Universe of Musical Meaning: The sense of music, Christine Esclapez; How did music rise to philosophical eminence? (And how has it been deprived of it?), Bálint Veres; Between the field and the salon, Marina Ritzarev; The significance of musical rules: a summary of selected principles of organization, Dalia Cohen; Music in Bakhtin's philosophical aesthetics, Anthony Gritten. Part II Texts, Narratives and Intermodalities: Cycling song: the Wilhelm Meister collections, William P. Dougherty; On metaphor and syntactic troping in music, Robert S. Hatten; Fanny Mendelssohn's cantata Hiob: a transpersonal commentary on divine darkness, Edith Zack; The 'preludio' of the Four Orchestral Pieces, Op.12 by Béla Bartók: an intertextual analytical approach, Márta Grabócz; Semiotic analysis and computational modelling: two case studies on works by Debussy and Xenakis, Christina Anagnostopoulou and Emilios Cambouropoulos. Part III Networks: Who Signals What (and How)?: Time, subjectivity and contested signs: developing Monelle's application of Pierce's 1903 typology to music, Ben Curry; Reflections on musical topics and musical character in performance, David Lidov; Against reproduction, Nicholas Cook; Dramatic signification of the Grail Knights' choruses of Parsifal by Richard Wagner, Anne Sivuoja; Realism and Artifice: innovation, Wagner's Ring and theatre practice in the German Democratic Republic, Elaine Kelly. Part IV The Musical Topic: Beyond Conventions: The topic of emotion, Michael Spitzer; Parody of learned style, Tamara Balter; Ironic inflections of topics: Beethoven's Quartet Op.127, Jamie Liddle; Dysphoric states: Stravinsky's topics - huntsmen, soldiers and shepherds, Nicholas McKay; 'Counting down' time: musical topics in John Adams' Doctor Atomic, Yayoi Uno Everett; 'Cet amour si violent...': on some topical motives in contemporary Lithuanian music, Ruta Staneviciute; Tributes;
Erscheinungsdatum | 07.09.2016 |
---|---|
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 521 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 1-138-27074-1 / 1138270741 |
ISBN-13 | 978-1-138-27074-9 / 9781138270749 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
aus dem Bereich