Not just a mirror. Looking for the political theatre today (eBook)
196 Seiten
Alexander (Verlag)
978-3-89581-395-5 (ISBN)
politischen Theaters in der Gegenwart auseinander und stellt künstlerisch-politische Strategien
und Praktiken von Theatermachern aus aller Welt vor - u. a. Chto Delat, Milo Rau,
Kretakör, Faustin Linyekula, Public Movement, Christoph Schlingensief, Akira Takayama.
Mit Beiträgen von Julian Boal, Boris Buden, Matan Cohen, Annie Dorsen, Galit Eilat, Monika
Ginterdorfer, John Jordan, Alexander Karschnia, Hervé Kimenyi, Beatrix Kricsfalusi,
Bojana Kunst, Hans-Thies Lehmann, Judith Malina, Florian Malzacher, Tala Jamal Manassah,
Oliver Marchart, Carol Martin, Giulia Palladini, Roman Pawlowski, Jeroen Peeters,
Goran Sergej Pristaš, Christian Römer, Sylvia Sasse, Francesco Scasciamacchia, Michael
Sengazi, Vassilis Tsianos, Margarita Tsomou, Franck Edmond Yao u. a.
Florian Malzacher is an independent performing arts curator, dramaturge and writer. He was artistic director of Impulse Theater Festival in Cologne, Dusseldorf and Mulheim/Ruhr (2013-2017), co-curator of the multidisciplinary arts festival steirischer herbst in Graz/Austria (2006-2012) and curatorial advisor of the Ruhrtriennale (2018-20). Among his current projects is discoursive program "The Art of Assembly" (since 2021) and "Training for the Future" (together with Jonas Staal, since 2018). For summer semester 2021 is guest professor at the Institute of Applied Theater Studies, University Giessen. He is co-editor of the ongoing book-series "Postdramatisches Theater in Portraits" at Alexander Verlag. After graduating at the Institute for Applied Theater Studies in Gießen he worked till 2005 mainly as a freelance theatre journalist for daily newspapers and has continued since then to contribute regularly to international magazines like Theater Heute (DE), Tanz (DE), Frakcija (HR), Didaskalia (PL) and Camera Austria (AT) etc. Florian Malzacher has worked as a freelance dramaturge at theatres like Burgtheater Vienna or Mousonturm Frankfurt with artists like Rimini Protokoll (DE), Lola Arias (ARG), Mariano Pensotti (ARG), Tania Bruguera (CUB) and regularly with Nature Theater of Oklahoma (USA). He was a founding member of the independent curators' collective Unfriendly Takeover (2001 - 2008) in Frankfurt/Main. Florian Malzacher (co-)curated next to his festivals e.g. the 4th and 5th International Summer Academy (Mousonturm Frankfurt 2002 and 2004), the "Dictionary of War" (2006/07), the series "Performing Lectures" (Frankfurt, 2004-06), the 170 hours non-stop marathon camp "Truth is concrete" on artistic strategies in politics (Graz, 2012), the congress "Artist Organisations International" (together with Jonas Staal and Joanna Warsza, HAU Berlin, 2015), and "Sense of Possibility" on the occasion of the 100th anniversary of the revolution (St. Petersburg, 2017), "Training for the Future" (together with Jonas Staal, since 2018), and "After Supervising the Machinery" on the occasion of the 200th birthday of Friedrich Engels (Engelskirchen, 2020), as well as performative conferences like "Appropriations" (Ethnologisches Museum Berlin, 2014) and "Acting and Preenacting" (HZT Berlin, 2018). He taught and/or lectured among others at universities and academies in Amsterdam, Berlin, Chicago, Frankfurt, Vienna, Oslo, Stockholm, Taipei and Zurich and was a member of the advisory board of DasArts - Master of Theatre, Amsterdam (2009-2014). 2021 he is guest professor at the Institute of Applied Theater Studies, University Giessen. He was series editor of "Performing Urgency" (2014-2017) and is a co-editor of the book series "Postdramatisches Theater in Portraits" (since 2019). He was a on the advisory board for theatre of the Goethe-Institut (2015 – 2020) and is a member of the Theaterkommission Zurich (since 2013). He is (co-)editor of books like "Not even A Game Anymore. The Theatre of Forced Entertainment" (Berlin, 2004), "Experts of the Everyday. The Theatre of Rimini Protokoll" (Berlin, 2008) or "Curating Performing Arts" (Frakcija/Zagreb 2010). His latest publications include "Truth is concrete. A Handbook for Artistic Strategies in Real Politics" (Berlin, 2014), "Not Just a Mirror. Looking for the Political Theatre of Today" (Berlin/Live Arts Development Agency, 2015), "The Silent University. Towards a Transversal Pedagogy" (Berlin, 2016), "Empty Stages, Crowded Flats. Performativity as Curatorial Strategy" (2017) and "The Life and Work of Nature Theater of Oklahoma" (2019). His latest book is "Gesellschaftsspiele. Politisches Theater heute" (2020).
Erscheint lt. Verlag | 26.10.2015 |
---|---|
Co-Autor | Julian Boal, Boris Buden, Galit Eilat, John Jordan, Bojana Kunst, Florian Malzacher, Oliver Marchart, Carol Martin, Guilia Palladini, Jeroen Peeters, Goran Sergej Pristas, Sylvia Sasse, Francesco Scasciamacchia, Margarita Tsomou, Tsianos Vassilis S., Matan Cohen, Alexander Karschnia, Beatrix Kricsfalusi, Hans-Thies Lehmann, Tala J. Manassah, Roman Pawlowski, Christian Römer, Benjamin Wihstutz |
Mitarbeit |
Interview von: Annie Dorsen, Monika Gintersdorfer |
Verlagsort | Berlin |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater |
Schlagworte | House on Fire • international • Performing Urgency • Politisches Theater • Theater |
ISBN-10 | 3-89581-395-8 / 3895813958 |
ISBN-13 | 978-3-89581-395-5 / 9783895813955 |
Haben Sie eine Frage zum Produkt? |
Größe: 14,1 MB
DRM: Digitales Wasserzeichen
Dieses eBook enthält ein digitales Wasserzeichen und ist damit für Sie personalisiert. Bei einer missbräuchlichen Weitergabe des eBooks an Dritte ist eine Rückverfolgung an die Quelle möglich.
Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belletristik und Sachbüchern. Der Fließtext wird dynamisch an die Display- und Schriftgröße angepasst. Auch für mobile Lesegeräte ist EPUB daher gut geeignet.
Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür die kostenlose Software Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür eine kostenlose App.
Geräteliste und zusätzliche Hinweise
Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.
aus dem Bereich