Brazilian Bodies and Their Choreographies of Identification
Palgrave Macmillan (Verlag)
978-1-137-46226-8 (ISBN)
Cristina F. Rosa is a native of Brazil who migrated to the US in 1996. She is currently a full-time faculty lecturer in dance at Tufts University. Her research interests include the intersection of embodiment, knowledge production, and processes of identification. She has been published in TDR and e-misférica. She previously taught in the US at Reed College, the University of California, Riverside, the Florida State University, and the California Institute of the Arts. She has also served as a research fellow at Freie Universität Berlin's International Research Center 'Interweaving Performance Cultures' (Germany, 2012-13). She earned her PhD from the University of California, Los Angeles.
Introduction: Choreographing Ideas
PART I: UNDERSTANDING GINGA
1. Decoding Ginga Aesthetic
2. Historicizing Ginga
PART II: ANALYSING GINGA
3. Understanding the Presence of Ginga in Samba Circles
4. Investigating the Articulation of Ginga in Capoeira Angola
5. What is it about the Baiana?
PART III: STAGING GINGA
6. Brazilian Bodies and the National in Dance
7. What is it about Grupo Corpo?
Conclusion: The Pride and Shame of being a Swing Nation
Erscheint lt. Verlag | 26.8.2015 |
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Reihe/Serie | New World Choreographies |
Zusatzinfo | X, 281 p. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 140 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Theater / Ballett | |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
Naturwissenschaften | |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 1-137-46226-4 / 1137462264 |
ISBN-13 | 978-1-137-46226-8 / 9781137462268 |
Zustand | Neuware |
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