Reimagining Greek Tragedy on the American Stage (eBook)

List of Illustrations
Preface

Introduction

CHAPTER ONE. Greek Tragedy Finds an American Audience
1. Setting the Stage
2. American Theater Makes Greek Tragedy Its Own

CHAPTER TWO. Making Total Theater in America: Choreography and Music
1. Hellenic Influences on the Development of American Modern Dance
2. American Gesamtkunstwerke
3. Musical Theater
4. Visual Choreography in Robert Wilson’s Alcestis

CHAPTER THREE. Democratizing Greek Tragedy
1. Antigone and Politics in the Nineteenth Century: The Boston 1890 Antigone
2. Performance Groups in the 1960s–1970s: Brecht’s Antigone by The Living Theatre
3. The 1980s and Beyond: Peter Sellars’s Persians, Ajax, and Children of Heracles
4. Aeschylus’s Prometheus Bound in the United States: From the Threat of Apocalypse to Communal Reconciliation

CHAPTER FOUR. Reenvisioning the Hero: American Oedipus
1. Oedipus as Scapegoat
2. Plagues
3. Theban Cycles
4. Deconstructing Fatality
5. Abandonment

CHAPTER FIVE. Reimagining Medea as American Other
1. Setting the Stage: Nineteenth-Century Medea
2. Medea as Social Critic from the Mid-1930s to the Late 1940s
3. Medea as Ethnic Other from the 1970s to the Present
4. Medea’s Divided Self: Drag and Cross-Dressed Performances

Epilogue

Appendix A. Professional Productions and New Versions of Sophocles’ and Euripides’ Electras
Appendix B. Professional Productions and New Versions of Antigone
Appendix C. Professional Productions and New Versions of Aeschylus’s Persians, Sophocles’ Ajax, and Aeschylus’s Prometheus Bound
Appendix D. Professional Productions and New Versions of Oedipus Tyrannus
Appendix E. Professional Productions and New Versions of Euripides’ Medea
Appendix F. Professional Productions and New Versions of Euripides’ Iphigeneia in Aulis and Iphigeneia in Tauris
Appendix G. Other Professional Productions and New Versions

Notes
References
Index