Introduction to Post-Tonal Theory
Pearson (Verlag)
978-0-13-014331-0 (ISBN)
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A primer—rather than a survey—this text offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music—through playing, singing, listening, and analyzing—it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the “classical” pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.
1. Basic Concepts and Definitions.
Analysis 1: Webern, Wie bin ich froh! from Three Songs, Op. 25. Schoenberg, Nacht, from Pierrot Lunaire, Op. 21.
2. Pitch-Class Sets.
Analysis 2: Schoenberg, Book of the Hanging Gardens, Op. 15, No. 11. Bartok String Quartet No. 4, first movement.
3. Some Additional Relationships.
Analysis 3: Webern, Movement for String Quartet, Op. 5, No. 4. Berg, Schlafend tragt man mich, from Four Songs, Op. 2., No. 2.
4. Centricity and Some Important Referential Collections.
Analysis 4: Stravinsky, Oedipus Rex, rehearsal nos. 167-70. Bartok, Sonata, first movement.
5. Basic Twelve-Tone Operations.
Analysis 5: Schoenberg, Suite for Piano, Op. 25, Gavotte. Stravinsky, In Memoriam Dylan Thomas.
6. More Twelve-Tone Topics.
Analysis 6: Webern, String Quartet, Op. 28, first movement. Schoenberg, Piano Piece, Op. 33a.
Appendix 1. List of Set Classes.
Appendix 2. Simplified Set List.
Appendix 3. Index Vectors.
Index.
| Erscheint lt. Verlag | 24.3.2000 |
|---|---|
| Sprache | englisch |
| Maße | 157 x 235 mm |
| Gewicht | 473 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| ISBN-10 | 0-13-014331-6 / 0130143316 |
| ISBN-13 | 978-0-13-014331-0 / 9780130143310 |
| Zustand | Neuware |
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