Unfolding Time
Studies in Temporality in Twentieth Century Music
Seiten
2009
Leuven University Press (Verlag)
978-90-5867-735-8 (ISBN)
Leuven University Press (Verlag)
978-90-5867-735-8 (ISBN)
This book addresses the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy.
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research. Contributors: Bruce Brubaker, New England Conservatory; Pascal Decroupet, University of Liege; Mark Delaere, Catholic University of Leuven; Justin London, Carleton College; Ian Pace, University College Falmouth
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research. Contributors: Bruce Brubaker, New England Conservatory; Pascal Decroupet, University of Liege; Mark Delaere, Catholic University of Leuven; Justin London, Carleton College; Ian Pace, University College Falmouth
Darla Crispin is Senior Research Fellow at Orpheus Research Centre in Music (ORCiM, Belgium).
Preface
Studies in Temporality in Twentieth-Century Music
Mark Delaere, Tempo, Metre, Rhythm, Time in Twentieth-Century Music
Justin London, Temporal Complexity in Modern and Post-Modern Music: A Critique from Cognitive Aesthetics
Pascal Decroupet, Rhythms -; Durations -; Rhythmic Cells -; Groups. Concepts of Microlevel Time-Organisation in Serial Music and their Consequences on Shaping Time on Higher Structural Levels
Bruce Brubaker, Time is Time: Temporal Signification in Music
Ian Pace, Notation, Time and the Performer's Relationship to the Score in Contemporary Music
Personalia
Colophon
Erscheint lt. Verlag | 1.5.2009 |
---|---|
Reihe/Serie | Collected Writings of the Orpheus Institute |
Verlagsort | Leuven |
Sprache | englisch |
Maße | 150 x 239 mm |
Gewicht | 397 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 90-5867-735-4 / 9058677354 |
ISBN-13 | 978-90-5867-735-8 / 9789058677358 |
Zustand | Neuware |
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