Music and Cultural Rights

Andrew N. Weintraub is an associate professor of music at the University of Pittsburgh and the author of Power Plays: Wayang Golek Puppet Theater of West Java. Bell Yung is a professor of music, the former director of the Asian Studies Center at the University of Pittsburgh, and the author of The Last of China's Literati: The Music, Poetry, and Life of Tsar Teh-yun.

Preface: Bell Yung; Acknowledgements; Introduction: Andrew N. Weintraub; 1. Agency and Voice, The Philippines at the 1998 Smithsonian Folklife Festival: Ricardo D. Trimillos; 2. Use and Ownership, Folk Music in the People's Republic of China: Helen Rees; 3. Access and Control, A Key to Reclaiming the Right to Construct Hawaiian History: Amy Ku'uleialoha Stillman; 4. National Patrimony and Cultural Policy, The Case of the Afroperuvian Cajon: Javier Leon; 5. Historical Legacy and the Contemporary World, UNESCO and China's Qin Music in the 21st Century: Bell Yung; 6. Representation and Intracultural Dynamics, Romani Musicians and Cultural Rights Discourse in Ukraine: Adriana Helbig; 7. Representing Tibet in the Global Cultural Market, The Case of the Chinese-Tibetan Musician Han Hong: Nimrod Baranovitch; 8. Music and Human Rights, AfroReggae and the Youth from the Favelas as Responses to Violence in Brazil: Silvia Ramos/Ana Maria Ochoa; 9. In Search of a Cross-Cultural Legal Framework, Indigenous Musics as Worldwide Commodity: Felicia Sandler; Bibliography; Glossary of Chinese Characters for Chapters By Baranovitch, Rees, and Yung; Notes on Contributors; Index Preface: Bell Yung; Acknowledgements; Introduction: Andrew N. Weintraub; 1. Agency and Voice, The Philippines at the 1998 Smithsonian Folklife Festival: Ricardo D. Trimillos; 2. Use and Ownership, Folk Music in the People's Republic of China: Helen Rees; 3. Access and Control, A Key to Reclaiming the Right to Construct Hawaiian History: Amy Ku'uleialoha Stillman; 4. National Patrimony and Cultural Policy, The Case of the Afroperuvian Cajon: Javier Leon; 5. Historical Legacy and the Contemporary World, UNESCO and China's Qin Music in the 21st Century: Bell Yung; 6. Representation and Intracultural Dynamics, Romani Musicians and Cultural Rights Discourse in Ukraine: Adriana Helbig; 7. Representing Tibet in the Global Cultural Market, The Case of the Chinese-Tibetan Musician Han Hong: Nimrod Baranovitch; 8. Music and Human Rights, AfroReggae and the Youth from the Favelas as Responses to Violence in Brazil: Silvia Ramos/Ana Maria Ochoa; 9. In Search of a Cross-Cultural Legal Framework, Indigenous Musics as Worldwide Commodity: Felicia Sandler; Bibliography; Glossary of Chinese Characters for Chapters By Baranovitch, Rees, and Yung; Notes on Contributors; Index Preface: Bell Yung; Acknowledgements; Introduction: Andrew N. Weintraub; 1. Agency and Voice, The Philippines at the 1998 Smithsonian Folklife Festival: Ricardo D. Trimillos; 2. Use and Ownership, Folk Music in the People's Republic of China: Helen Rees; 3. Access and Control, A Key to Reclaiming the Right to Construct Hawaiian History: Amy Ku'uleialoha Stillman; 4. National Patrimony and Cultural Policy, The Case of the Afroperuvian Cajon: Javier Leon; 5. Historical Legacy and the Contemporary World, UNESCO and China's Qin Music in the 21st Century: Bell Yung; 6. Representation and Intracultural Dynamics, Romani Musicians and Cultural Rights Discourse in Ukraine: Adriana Helbig; 7. Representing Tibet in the Global Cultural Market, The Case of the Chinese-Tibetan Musician Han Hong: Nimrod Baranovitch; 8. Music and Human Rights, AfroReggae and the Youth from the Favelas as Responses to Violence in Brazil: Silvia Ramos/Ana Maria Ochoa; 9. In Search of a Cross-Cultural Legal Framework, Indigenous Musics as Worldwide Commodity: Felicia Sandler; Bibliography; Glossary of Chinese Characters for Chapters By Baranovitch, Rees, and Yung; Notes on Contributors; Index