Classic Fairytales 2 (eBook)

Retold for the Stage

(Autor)

eBook Download: EPUB
2017
226 Seiten
Publishdrive (Verlag)
978-1-906582-31-9 (ISBN)

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Classic Fairytales 2 -  Charles Way
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Three timeless tales retold for the stage by one of the UK's most renowned writers of plays for children and young people, Charles Way. His plays appeal to audiences of all ages, are translated into many languages and perfomed internationally. This collection includes The Golden Goose, The Tinderbox and Sinbad - The Untold Tale.


THE TINDERBOX: This is truly magical entertainment, a beautifully crafted show. --The Stage
SINBAD - THE UNTOLD TALE This fabulous new adventure by acclaimed children s playwright Charles Way is a Christmas treat families will remember forever. --The Keswick Reminder
THE GOLDEN GOOSE: Charles Way transforms A Midsummer Night s Dream into a lively and magical mid-winter adventure. --The Guardian



CHARLES WAY


Charles began writing plays in 1978 when he joined Leeds Playhouse TIE team. He has written over 40 plays, many of them for young people. His plays 'Sleeping Beauty' and 'The Search for Odysseus' were both nominated as Best Children's Play by the Writer's Guild with 'A Spell of Cold Weather' winning the award in 1996. His play about the percussionist Evelyn Glennie, 'Playing from the heart' was nominated as Best Children's Show by the TMA. Other plays include: 'The Flood', 'One Snowy Night' [Chichester Festival Theatre], and 'The Night Before Christmas ' [Polka Theatre]. Charles' plays for adults include adaptations of Bruce Chatwin's 'On the Black Hill' and Halldor Laxness' 'Independent People'. In Wales, he has long associations with Gwent Theatre, The Sherman Theatre and Hijinx Theatre, for whom he has written 'In the Bleak Midwinter', and 'Ill Met by Moonlight.' He was recently commissioned by the National Theatre to write 'Alice in the News', which children all over Britain have performed. Other new plays include: 'Still Life ' [Plymouth Theatre Royal], and 'The Long Way Home', for New Perspectives Theatre/CIAO Festival. In 2004, Charles won the Arts Council's Children's Award for his play 'Red Red Shoes' [Unicorn Theatre/The Place] and 'Merlin and the Cave of Dreams' [Imagination Stage] was nominated in USA for a Helen Hayes award for the outstanding new play of 2004 . Charles has written many plays for radio, and a TV poem for BBC2, 'No Borders', set on the Welsh borders, where he lives and has spent most of his creative life.


Three timeless tales retold for the stage by one of the UK's most renowned writers of plays for children and young people, Charles Way. His plays appeal to audiences of all ages, are translated into many languages and perfomed internationally. This collection includes The Golden Goose, The Tinderbox and Sinbad - The Untold Tale.THE TINDERBOX: This is truly magical entertainment, a beautifully crafted show. --The StageSINBAD - THE UNTOLD TALE This fabulous new adventure by acclaimed children s playwright Charles Way is a Christmas treat families will remember forever. --The Keswick ReminderTHE GOLDEN GOOSE: Charles Way transforms A Midsummer Night s Dream into a lively and magical mid-winter adventure. --The GuardianCHARLES WAYCharles began writing plays in 1978 when he joined Leeds Playhouse TIE team. He has written over 40 plays, many of them for young people. His plays 'Sleeping Beauty' and 'The Search for Odysseus' were both nominated as Best Children's Play by the Writer's Guild with 'A Spell of Cold Weather' winning the award in 1996. His play about the percussionist Evelyn Glennie, 'Playing from the heart' was nominated as Best Children's Show by the TMA. Other plays include: 'The Flood', 'One Snowy Night' [Chichester Festival Theatre], and 'The Night Before Christmas ' [Polka Theatre]. Charles' plays for adults include adaptations of Bruce Chatwin's 'On the Black Hill' and Halldor Laxness' 'Independent People'. In Wales, he has long associations with Gwent Theatre, The Sherman Theatre and Hijinx Theatre, for whom he has written 'In the Bleak Midwinter', and 'Ill Met by Moonlight.' He was recently commissioned by the National Theatre to write 'Alice in the News', which children all over Britain have performed. Other new plays include: 'Still Life ' [Plymouth Theatre Royal], and 'The Long Way Home', for New Perspectives Theatre/CIAO Festival. In 2004, Charles won the Arts Council's Children's Award for his play 'Red Red Shoes' [Unicorn Theatre/The Place] and 'Merlin and the Cave of Dreams' [Imagination Stage] was nominated in USA for a Helen Hayes award for the outstanding new play of 2004 . Charles has written many plays for radio, and a TV poem for BBC2, 'No Borders', set on the Welsh borders, where he lives and has spent most of his creative life.

The Golden Goose


The play was commissioned by and first performed at the Library Theatre, Manchester on November 25th, 2006.

CHARACTERS

CAST

 

Fairy King,

Stephen Finegold

Fairy Queen

Rebecca Hulbert

Christina

Rebecca Smart

King Conrad

William Finkenrath

Boris

Andrew Grose

Birgit

Annie Rowe

Dajona

Eleanor Howell

Dummling

Paul Stocker

Hermit Siebenstein

Stephen Finegold

Humble

Rebecca Smart

Meek (in Act One)

Annie Rowe

Meek

William Finkenrath

White Witch

Rebecca Hulbert

Prince Charles

Andrew Grose

 

Directed by

Charles Way

Music by

Richard Taylor

Design by

Jamie Varten

Lighting by

Nick Ritchings

Choreography by

Georgina Lamb

The play can be performed by a cast of 8.

ACT ONE

Scene One

Bewitching music from the fairy world. Enter the Fairy King and Queen, Humble and Meek. The Fairy King reads from a large book.

Fairy King

Once upon a time, in old Europe in the days when folk and fairy folk lived side by side, there was a castle and in this castle, lived a King. (He turns the page and the King ‘pops up’ for it is a pop-up book.) There he is … and this king had two daughters, Dajona and Birgit.

(He turns the page and up pop the two daughters.) Dajona was the oldest and she was the saddest person whoever breathed. She was so sad she refused to laugh. She would not laugh, she could not laugh so one day her father sent out a proclamation –

‘The man who makes my daughter laugh will be free to ask for her hand in marriage.’

What? What –?

Fairy Queen

You’ve started at the wrong place.

Fairy King

I have not.

Fairy Queen

That’s Chapter Two.

Fairy King

No, no – this is Chapter One.

Fairy Queen

No, my sweet – it’s Chapter Two.

Fairy King

What?

Fairy Queen

The princess who wouldn’t laugh – Chapter Two. (He looks and realises his mistake and shuts the book snappily. The magical music is repeated.)

Once upon a time, in old Europe

In the days when folk and fairy folk

Lived side by side

There was a poor cottage.

Fairy Queen

Ah … I know it well, husband. We have turned the milk sour there many times this past year.

Fairy King

It is a humble dwelling.

Fairy Queen

As you can see. With rough furniture.

Fairy King

In this poor cottage lived two young men with their mother. Dummling and Boris.

(He turns the page and up they pop.)

It was so very far into the woods that the King’s proclamation, which I didn’t mention earlier, never reached the cottage and it is here that the story begins.

Fairy Queen

At Chapter One. Now all they need, my lord is life.

Together they sprinkle/blow golden dust onto the pop-up scene. Behind them, lights fully rise on the life-size scene.

Christina

Where did all this dust come from?

Dummling

I don’t know, Mother.

Christina

As if I didn’t have enough work to do.

Dummling

It’s all – golden.

Christina

Golden? Don’t talk rubbishsense –dust isn’t golden, not round here.

Dummling

But this is – look – all shiny and golden.

Boris

Do shut up, Dummling.

Dummling

But I’m –

Boris

An utterly stupid person without a sensible thought in his head.

Dummling

That’s not true …

Boris

Yes it is.

Dummling

Is it, Mother?

Christina

Well …

Boris

Exactly.

Christina

We are what we are, Dummling.

Boris

And you are stupid.

Christina

Boris!

Boris

Golden dust we have now.

Dummling

But it is – was.

Boris

Duh.

Christina

Stop it! If you keep on at each other, you shall go without supper – the pairboth.

She turns away and Boris pours a cup of water over his own head.

Boris

What on earth –?

Christina

What now?

Boris

Dummling poured water over my head.

Dummling

I never.

Boris

Well, who did then?

Dummling

You did.

Christina

Oh, Dummling, what kind of fool would pour water over his own head?

Boris

Just ’cos I told you the truth.

Christina

No rain for three months, and here’s you throwing water away as if we had lakes of it to wallow in. Well we don’t. Cleareen it up, now.

Dummling

But I – it was –

Boris

And no supper for you. That’s what you said, Mother.

Christina

I know what I said.

Dummling

Forgive me, Mother. Please don’t be upset.

Christina

Upset? A woman with two lads to feed, and no husband to help me through this dreadful drought. When your father were alive the fields were full of food. Now what do we have? Dry bread and mouldy cheese.

(Boris leans forward to take Dummling’s plate.) You leave his plate alone.

Boris

But you said--

Christina

I know what I said. You are not the master here, Boris.

Boris

One of these days I’m going to leave this hovel and go on a big adventure – a really big one – the size of this – table. And I’m going to meet a princess and marry her – and, and, and have lots to eat. What are you smiling at?

Dummling

I had the very same dream. That one day I would be king.

Boris

No you didn’t.

Dummling

Yes I did.

Boris

You’re lying again, just to be like me.

Dummling

No I’m not.

Boris

There’s no country on earth would ever have a king with a face like yours. I’ve seen better looking cowpats.

Dummling

What, in the mirror?

Christina

Oh Dummling, how could you be so spiteful?

Dummling

Hey?

Boris

Because he’s ugly mother – that’s why. It’s damaged his character.

Dummling

But I’m not ugly – am I?

Christina

Well…

Boris

Exactly. I’ll be the best looking king this country ever had. And a thousand times better than the one we’ve got now.

Christina

Boris!

Boris

Our king can’t even feed his own people.

Christina

It’s hardly his fault it hasn’t rained. I’ll have no more talk against our king – you’ll have us hanged for treason.

Boris

He’d have to hang the whole country – everywhere I go people speak against him.

Christina

Well, I don’t. Poor man.

Boris

We should rise up brother – and cut off their heads.

Christina

Boris! You have no idea what you’re saying.

Boris

And then, Mother – you could choose which of your sons would make the better king. Go on, for fun. For the good of the country – me or Dummling?

Christina

Oh Boris – you know the answer.

Boris

And I’d make a great king an’ all, strong as an ox and free of spots. Unlike you, Dummling.

Dummling

I haven’t got spots. I haven’t.

(Boris laughs and gives him a mirror.)

Where did they come from?

Christina

It doesn’t matter, Dummling.

Dummling

But why doesn’t Boris have spots?

Christina

Because spots don’t choose a handsome face, it’s well known, but of no importance – one day they will just vanish. I promise.

Boris

I’ve heard it said that spots only land on the faces of cowards.

Christina

Now that’s enough. How can you two prattle on so when we are only one meal away from the grave?

Silence.

Dummling

One day Mother, there’ll be food again, and plenty of water, and wine too, and you’ll be happy, we’ll all be happy.

Boris

Oh yes – and one day folk will walk on the moon.

Dummling

Maybe they will, one day.

Christina

Well, I have had as much of your argument-eering as I can stomach. Boris I have a job for you.

Boris (groans)

You know how much I hate jobs – and it’s so hot.

Dummling

I’ll do it, Mother.

Christina

No, Dummling. I don’t want you cutting your hand off – like your father...

Erscheint lt. Verlag 5.7.2017
Einführung Charles Way
Sprache englisch
Themenwelt Literatur Lyrik / Dramatik Dramatik / Theater
Kinder- / Jugendbuch Spielen / Lernen Lernen / Lernspiele
Schulbuch / Wörterbuch
Schlagworte A Midsummer Nights Dream • Fairy tales • Plays for kids • scripts • Sinbad • The golden Goose • The Tinderbox
ISBN-10 1-906582-31-9 / 1906582319
ISBN-13 978-1-906582-31-9 / 9781906582319
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