The Musical Crowd in English Fiction, 1840-1910 - P. Weliver

The Musical Crowd in English Fiction, 1840-1910

Class, Culture and Nation

(Autor)

Buch | Hardcover
245 Seiten
2006
Palgrave Macmillan (Verlag)
978-1-4039-9994-8 (ISBN)
96,25 inkl. MwSt
This book provides insight into how musical performances contributed to emerging ideas about class and national identity. Offering a fresh reading of bestselling fictional works, drawing upon crowd theory, climate theory, ethnology, science, music reviews and books by musicians to demonstrate how these discourses were mutually constitutive.

PHYLLIS WELIVER is an Assistant Professor of English at Saint Louis University, USA. She is the author of Women Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home (2000) and editor of The Figure of Music in Nineteenth-Century British Poetry (2005).

Acknowledgements Introduction Surveillance and Musical Passion in Villette Germanic Music Ideals in Uptopian Communities: Charles Auchester, Erewhon and "Euphonia" Music, Climate Theory and the Working Classes in Sandra Belloni Imagining 1848 Risorgimento Opera Production in Vittoria Shaw's Fiction and the Emerging English Musical Renaissance From Collective Action to Creative Individuality: Robert Elsmere, Dodo, Althea and Howards End Conclusion Notes Bibliography Index

Erscheint lt. Verlag 5.9.2006
Reihe/Serie Palgrave Studies in Nineteenth-Century Writing and Culture
Zusatzinfo IX, 245 p.
Verlagsort Gordonsville
Sprache englisch
Maße 127 x 203 mm
Themenwelt Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-4039-9994-5 / 1403999945
ISBN-13 978-1-4039-9994-8 / 9781403999948
Zustand Neuware
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