Musical Representations, Subjects, and Objects
The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber
Seiten
2004
Indiana University Press (Verlag)
978-0-253-34457-1 (ISBN)
Indiana University Press (Verlag)
978-0-253-34457-1 (ISBN)
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Presents an application of Foucault's ideas to music theory.
Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions—musical, philosophical, and historical—that "make a certain form of thought about music necessary and possible at the time it emerges."
Musical Meaning and Interpretation—Robert S. Hatten, editor
Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions—musical, philosophical, and historical—that "make a certain form of thought about music necessary and possible at the time it emerges."
Musical Meaning and Interpretation—Robert S. Hatten, editor
Jairo Moreno is Associate Professor of Music Theory at Duke University. His research and publications focus on the history and philosophy of music theory.
Acknowledgments
Note on Translations
Introduction
1. Zarlino: Instituting Knowledge in the Time of Correspondences
2. The Representation of Order: Perception and the Early Modern Subject in Descartes's Compendium musicae
3. The Complicity of the Imagination: Representation, Subject, and System in Rameau
4. Gottfried Weber and Mozart's K. 465: The Contents and Discontents of the Listening Subject
Epilogue
Glossary of Greek Terms
Notes
Bibliography
Index
Erscheint lt. Verlag | 21.12.2004 |
---|---|
Reihe/Serie | Musical Meaning and Interpretation |
Zusatzinfo | 13 figures, 1 bibliog., 1 index |
Verlagsort | Bloomington, IN |
Sprache | englisch |
Maße | 155 x 235 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Geisteswissenschaften ► Philosophie | |
ISBN-10 | 0-253-34457-3 / 0253344573 |
ISBN-13 | 978-0-253-34457-1 / 9780253344571 |
Zustand | Neuware |
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