Poetry and the Limits of Modernity in Depression America - Justin Parks

Poetry and the Limits of Modernity in Depression America

(Autor)

Buch | Hardcover
280 Seiten
2023
Cambridge University Press (Verlag)
978-1-009-34783-9 (ISBN)
105,95 inkl. MwSt
Furnishing a novel take on the poetry of the 1930s within the context of the cultural history of the Depression, this book argues that the period's economic and cultural crisis was accompanied by an epistemological crisis in which cultural producers increasingly cast doubt on language in its ability to represent society. Poetry and the Limits of Modernity in Depression America pursues this guiding premise through six chapters, each framing the problem of the ongoing vitality of language as a social medium with respect to a particular poet: Louis Zukofsky and the commodification of language; Muriel Rukeyser and documentary photography; Charles Reznikoff and Depression-era historiography; Sterling A. Brown and the blues as both an ethnographic phenomenon and a marketable cultural product; Norman Macleod and Southwest regionalism; and Lorine Niedecker and ethnographic surrealism. The book closes by examining the shifting status of the poet as society transitioned from a focus on production to an emphasis on consumption in the Post-war period.

Justin Parks is Associate Professor at the Institute for Language and Culture at UiT-The Arctic University of Norway. His work is rooted in modern and contemporary poetry and American studies, with particular interest in Depression-era culture. His recent work engages with energy humanities: he has edited a special of Textual Practice on 'writing extractivism.'

Introduction: Poetry, Modernity, Crisis; Part I. Historical Materialism and the Materials of History: 1. Thinking with Things: Language, Commodities, and the Social Ontologies of Objects in Louis Zukofsky's 'A'-8 and 9; 2. New Ways of Seeing: Muriel Rukeyser's 'Book of the Dead' and the Politics of Documentary Photography; 3. Pieces of the Body Torn out by the Roots: Charles Reznikoff's 1934 Testimony and the Idiom of American Violence; Part II. Ethnographic Modernity and Its Discontents: 4. Vernacular Technologies: The Folksong Collector, the Phonograph, and Blues Authenticity in Sterling A. Brown's Southern Road; 5. Interlopers out of a Pale Land: Norman Macleod's Ethnographic Regionalism and Antimodernism in New Mexico; 6. Object Lessons: Ethnographic Surrealism and the Poetics of Detachment in Lorine Niedecker's New Goose; Coda: The Poet as Consumer.

Erscheinungsdatum
Reihe/Serie Cambridge Studies in American Literature and Culture
Zusatzinfo Worked examples or Exercises
Verlagsort Cambridge
Sprache englisch
Themenwelt Literatur Lyrik / Dramatik Lyrik / Gedichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-009-34783-7 / 1009347837
ISBN-13 978-1-009-34783-9 / 9781009347839
Zustand Neuware
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